Comics, Manga and Graphic Novels: Feminism/Gender Roles

August 26, 2020, marks the 100th anniversary of the passage of the 19th Amendment, which granted American women the right to vote. And while suffrage has been a critical win for women's liberation around the world, the struggle for women's rights has been ongoing for thousands of years, across many cultures, and encompassing an enormous variety of issues. Amazons, Abolitionists, and Activists is a fun, fascinating, and full-color exploration of that important history, tracing its roots from antiquity to show how 21st-century feminism developed. Along the way, you'll meet a wide range of important historical figures and learn about many political movements, including suffrage, abolition, labor, LGBT liberation, the waves of feminism, and more.

Ina future just a few years down the road in the wrong direction, a woman's failure to comply with her patriarchal overlords will result in exile to the meanest penal planet in the galaxy. When the newest crop of fresh femmes arrive, can they work together to stay alive or will hidden agendas, crooked guards, and the deadliest sport on (or off!) Earth take them to their maker?

A few years down the road in the wrong direction, a cisgender or transgender woman's failure to comply with her patriarchal overlords results in exile to the meanest penal planet in the galaxy. But what happened on Earth that this new world order came to pass in the first place? Return to the grim corridors of Auxiliary Compliance Outpost #2, to uncover the first clues to the history of the world as we know it...and meet PRESIDENT BITCH. This volume collects issues #6-10, a reader discussion guide and additional bonus materials.

Autism in women and girls is still not widely understood, and is often misrepresented or even overlooked. This graphic novel offers an engaging and accessible insight into the lives and minds of autistic women, using real-life case studies. The charming illustrations lead readers on a visual journey of how women on the spectrum experience everyday life, from metaphors and masking in social situations, to friendships and relationships and the role of special interests. Fun, sensitive and informative, this is a fantastic resource for anyone who wishes to understand how gender affects autism, and how to create safer supportive and more accessible environments for women on the spectrum.

Dealing with pregnancy, child-rearing, art-making, mental illness, and an MS diagnosis, the parts of Chlorine Gardens' sum sound heavy, but Keiler Roberts' gift is the deft drollness in which she presents life's darker moments. She doesn't whistle past graveyards, but rather finds the punch line in the pitiful.

Comics for Choice is an anthology of comics about abortion. As this fundamental reproductive right continues to be stigmatized and jeopardized, over sixty artists and writers have created comics that boldly share their own experiences, and educate readers on the history of abortion, current political struggles, activism, and more. Lawyers, activists, medical professionals, historians, and abortion fund volunteers have teamed up with cartoonists and illustrators to share their knowledge in accessible comics form.

In the late '60s, underground comix changed the way comics readers saw the medium -- but there was an important pronoun missing from the revolution. In 1972, ten women cartoonists got together in San Francisco to rectify the situation and produce the first and longest-lasting all-woman comics anthology, Wimmen's Comix. Within two years the Wimmen's Comix Collective had introduced cartoonists like Roberta Gregory and Melinda Gebbie to the comics-reading public, and would go on to publish some of the most talented women cartoonists in America -- Carol Tyler, Mary Fleener, Dori Seda, Phoebe Gloeckner, and many others. In its twenty year run, the women of Wimmen's tackled subjects the guys wouldn't touch with a ten-foot pole: abortion, menstruation, masturbation, castration, lesbians, witches, murderesses, and feminists. Most issues of Wimmen's Comix have been long out of print, so it's about time these pioneering cartoonists' work received their due.

Inspired by the journals she kept growing up, Sophie Lucido Johnson began an interactive conversation between her younger self and her current self. When she began the exercise, Sophie envisioned sharing important lessons on what it means to love your body, navigate relationships, and discover what fulfills you, no matter where life takes you. But as these "exchanges" deepened, adult Sophie discovered she had much to learn about life from young Sophie as well.

More than 60 female comics creators share their personal experiences with sexual violence and harassment through new and original comics Inspired by the global #MeToo Movement, Drawing Power: Women's Stories of Sexual Violence, Harassment, and Survival is a collection of original, nonfiction comics drawn by more than 60 female cartoonists from around the world. Featuring such noted creators as Emil Ferris, Aline Kominsky-Crumb, MariNaomi, Liana Finck, and Ebony Flowers the anthology's contributors comprise a diverse group of many ages, gender and sexual orientations, and races--and their personal stories convey the wide spectrum of sexual harassment and abuse that is still all too commonplace.

Katie heads out west to take advantage of Alberta's oil rush--part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. Katie encounters the harsh reality of life in the oil sands, where trauma is an everyday occurrence yet is never discussed. Beaton's natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, northern lights, and boreal forest. Her first full length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.

Meet Eileen Gray, the female architect behind the world-renowned E-1027 house and a pioneer of the Modern Movement in architecture. In 1924, her work began in earnest on a small villa by the sea in the south of France. Nearly a century later, this structure is a design milestone. But like so many gifted female artists and designers of her time, Eileen Gray's story has been eclipsed by the men with whom she collaborated. Dzierawska's exquisite visuals illuminate the previously overlooked struggles and triumphs of a young queer Irish designer whose work and life came to bloom during the 'Années Folles' of early 20th century Paris.

What do you do when your body doesn't match the ideal shape as dictated by society? What do you wear when sweats seem to be the only clothes that fit you? How do you deal with the constant, overwhelming waves of criticism about your appearance from yourself and others? A love letter to anyone striving to embrace their size, this wonderfully illustrated, uplifting comic essay by a plus-size author chronicles her own journey with body positivity, what inspired her to change her mindset, and how she learned to love herself as she is.

The author of The Mental Load returns with more "visual essays which are transformative agents of change." Emma continues in her new book to tangle with issues pertinent to women's experiences, from consent to the "power of love," from the care and attentiveness that women place on others' wellbeing and social cohesion, and how it constitutes another burden on women, to contraception, to the true nature of gallantry, from rape culture to diets, from safety in public spaces to retirement, along with social issues such as police violence, women's rights, and green capitalism. And, once more, she hits the mark.

From Adam and Eve to pussy hats, people have punished, praised, pathologized, and politicized vulvas, vaginas, clitorises, and menstruation. In this graphic nonfiction book, drawn in chunky, punky pen, Swedish cartoonist Liv Strömquist traces how different cultures and traditions have shaped women's health and beyond. Her biting, informed commentary and ponytailed avatar guides the reader from the darkest chapters of history (a clitoridectomy performed on a five-year-old American child as late as 1948) to the lightest (vulvas used as architectural details as a symbol of protection).

An essential comic-book journey from the creators of Queer: A Graphic History that will change the way you think about gender. Is masculinity 'toxic?' Why are public toilets such a political issue? How has feminism changed the available gender roles - and for whom? Why might we all benefit from challenging binary thinking about sex/gender? In this unique illustrated guide, Meg-John Barker and Jules Scheele travel through our shifting understandings of gender across time and space - from ideas about masculinity and femininity, to non-binary and trans genders, to intersecting experiences of gender, race, sexuality, class, disability, and more. Tackling current debates and tensions, which can divide communities and even cost lives, Barker and Scheele look to the past and the future to explore how we might all approach gender in more caring and celebratory ways.

In "Grandmothers, our grandmothers" the "comfort women" of the Japanese Imperial Army share their personal stories with us and give us their testimony. Alongside passionate advocates from younger generations, they protest on a weekly basis-- speaking for all victims of war and violations of human rights. In this book, writer and artist Han Seong-won depicts the ongoing crusade of some of war's most courageous survivor women. These women were forced into sexual slavery in Han's native Korea and other countries where the Japanese army set up military camps.

In Margaret Atwood's dystopian future, environmental disasters and declining birthrates have led to a Second American Civil War. The result is the rise of the Republic of Gilead, a totalitarian regime that enforces rigid social roles and enslaves the few remaining fertile women. Offred is one of these, a Handmaid bound to produce children for one of Gilead's commanders. Deprived of her husband, her child, her freedom, and even her own name, Offred clings to her memories and her will to survive. With this beautiful graphic novel adaptation of Margaret Atwood's modern classic, beautifully realized by artist Renée Nault, the terrifying reality of Gilead has been brought to vivid life like never before.

Starry-eyed Chris has just started the dream job every outcast kid in town wants: working at Vinyl Mayhem. It's as rad as she imagined; her boss is BOSS, her co-workers spend their time arguing over music, pushing against the patriarchy, and endlessly trying to form a band. When Rosie Riot, the staff's favorite singer, mysteriously vanishes the night before her band's show, Chris discovers her co-workers are doing more than just sorting vinyl ... Her local indie record store is also a front for a teen girl vigilante fight club!

Hot Comb offers a poignant glimpse into black women's lives and coming of age stories as seen across a crowded, ammonia-scented hair salon while ladies gossip and bond over the burn. The titular story 'Hot Comb' is about a young girl's first perm--a doomed ploy to look cool and to stop seeming 'too white' in the all-black neighborhood her family has just moved to. In 'Virgin Hair', taunts of 'tender-headed' sting as much as the perm itself. It's a scenario that repeats fifteen years later as an adult when, tired of the maintenance, Flowers shaves her head only to be hurled new put-downs. Realizations about race, class, and the imperfections of identity swirl through Flowers' stories and ads, which are by turns sweet, insightful, and heartbreaking.

Michelangelo, Velázquez, Rubens, Rembrandt -- all larger-than-life Renaissance figures celebrated for their mastery of their art. But often overlooked in this pantheon of Old Masters is Artemisia Gentileschi -- Italy's greatest female painter. In her debut graphic novel, Gina Siciliano brings to life the tumultuous 17th-century cities of Rome, Florence, Naples, and Venice where the fearless Artemisia braved the male-dominated sphere of painting to become a groundbreaking artist. I Know What I Am paints a complex, feminist portrait of Artemisia as a single mother, a sexual assault survivor, and a pioneering practitioner of her craft.

Gila, 26, was at a party when the police showed up. The men were able to get away with bribes, but the women were taken to the station, and anyone who'd been drinking was forced to submit to a virginity test. She never went to another party after that. Zeinab is 20 and she loves being a woman in Iran. She says that she feels like a queen! And despite all the risks, she confesses that she makes love with her boyfriend because the danger excites her. Vahid is 26. He was a leader with the Green Movement. Then he watched his friend Neda die right in front of him. Now he keeps his head down, trying to finish his studies. In a series of vignettes based on clandestine interviews, this award-winning graphic novel explores the politics and love lives of ten young Iranian men and women from diverse backgrounds. The result is an honest portrait of Iranian youth today and a rare glimpse into a society where the sexes are strictly segregated; and Western journalists aren't welcome. Through testimonies from across the country, we learn about traditional marriages, the pressures of living under the regime, and how young people escape the police and defy tradition to live their love stories.

In her graphic novel debut, English cartoonist Lizzy Stewart chronicles the lives of two close friends from adolescence to adulthood. As the years go by, life nudges them in directions that they never could have expected until finally, in their thirties, they hardly recognize the women they have become. Their situations have changed, from the sleepy countryside to bustling London, but their relationships and perspectives have also gradually shifted over time. In a series of interconnected vignettes, Stewart focuses on the ordinary, slice-of-life moments -- teenagers climbing up and lounging on a rooftop, friends catching up over pints at the pub, a woman riding the night bus home -- and charges these scenes with a quiet intensity. Through keen observation and an ear for naturalistic dialogue, she reveals the complex natures of her characters, from their confidence to their insecurities, as they experience the joys and pains of growing up. Drawn in a variety of different styles, from watercolor to colored pencil to pen and ink, the style of this book echoes the evolution of the characters within.

If you work hard enough, if you want it enough, if you're smart and talented and "good enough," you can do anything. Except get pregnant. Her whole life, Lucy Knisley wanted to be a mother. But when it was finally the perfect time, conceiving turned out to be harder than anything she'd ever attempted. Fertility problems were followed by miscarriages, and her eventual successful pregnancy was plagued by health issues, up to a dramatic, near-death experience in labor and delivery. Kid Gloves follows Lucy's personal transition into motherhood, and it also illustrates the history and science of reproductive health from all angles, full of curious facts and inspiring (and notorious) figures in medicine and midwifery.

From rural Japan to international icon - Yayoi Kusama has spent her remarkable life immersed in her art. Follow her incredible journey in this vivid graphic biography which details her bold departure from Japan as a young artist, her embrace of the buzzing New York art scene in the 1960s, and her eventual return home and rise to twenty-first-century super-fame.

In her first book of comic strips, Emma reflects on social and feminist issues by means of simple line drawings, dissecting the mental load, i.e. all that invisible and unpaid organising, list-making and planning women do to manage their lives, and the lives of their family members. In her strips Emma deals with themes ranging from maternity leave (it is not a vacation!), domestic violence, the clitoris, the violence of the medical world on women during childbirth, and other feminist issues, and she does so in a straightforward way that is both hilarious and deadly serious. Emma's comics also address the everyday outrages and absurdities of immigrant rights, income equality, and police violence.

A deeply emotional graphic memoir of a young woman's struggles with self-esteem and body image issues. All Marie-Noëlle wants is to be thin and beautiful. She wishes that her thighs were slimmer, that her stomach lay flatter. Maybe then her parents wouldn't make fun of her eating habits at family dinners, the girls at school wouldn't call her ugly, and the boy she likes would ask her out. This all-too-relatable memoir follows Marie-Noëlle from childhood to her twenties, as she navigates what it means to be born into a body that doesn't fall within society's beauty standards.

Can you be a hero...if society doesn't see you as a person? Nubia has always been a little bit...different. As a baby she showcased Amazonian-like strength by pushing over a tree to rescue her neighbor's cat. But despite her having similar abilities, the world has no problem telling her that she's no Wonder Woman. And even if she were, they wouldn't want her. Every time she comes to the rescue, she's reminded of how people see her--as a threat. Her moms do their best to keep her safe, but Nubia can't deny the fire within her, even if she's a little awkward about it sometimes. Even if it means people assume the worst. When Nubia's best friend, Quisha, is threatened by a boy who thinks he owns the town, Nubia will risk it all--her safety, her home, and her crush on that cute kid in English class--to become the hero society tells her she isn't.

Other Russias is the brilliant first collection of graphic journalism by artist and activist Victoria Lomasko. A fixture at Moscow's protest and political trials, Lomasko illuminates the inequality and injustice at the heart of contemporary Russian society. Not content to remain in the capital, she travels the country, visiting schools in dying villages; interviewing sex workers in foundering industrial towns; teaching art to children at juvenile prisons--all while drawing their stories. Her portraits give voice to Russia's many voiceless citizens and allow readers to see them as she does: with dignity, compassion, and love.

In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging. Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran. As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up--here compounded by Marjane's status as an outsider both abroad and at home--it is raw, honest, and incredibly illuminating.

Born in Mexico City in 1942, Graciela Iturbide wants to be a writer, but her conservative family has a different idea. Although she initially follows their wishes, she soon grows restless. After tragedy strikes, she turns to photography to better understand the world. The photographic journey she embarks on takes her throughout Mexico and around the globe, introducing her to fascinating people and cultures, and eventually bringing her success and fame. With more than two dozen photographs by Iturbide herself, Photographic explores the questions of what it means to become an artist.

First pregnancy can be a fraught, uncomfortable experience for any woman, but for resolutely butch lesbian Teek Thomasson, it is exceptionally challenging: Teek identifies as a masculine woman in a world bent on associating pregnancy with a cult of uber-femininity. Teek wonders, "Can butches even get pregnant?" Of course, as she and her pragmatic femme girlfriend Vee discover, they can. But what happens when they do? Written and illustrated by A.K. Summers, and based on her own pregnancy, Pregnant Butch strives to depict this increasingly common, but still underrepresented experience of queer pregnancy with humor and complexity--from the question of whether suspenders count as legitimate maternity wear to the strains created by different views of pregnancy within a couple and finally to a culturally critical and compassionate interrogation of gender in pregnancy. Offering smart, ambitious art, this graphic memoir is a must-read for would-be pregnant butches and anyone interested in the intersection of birth and gender, as well as a perfect queer baby shower gift and conversation starter for those who always assumed they "got" being pregnant.

The first volume of Princeless as it's never been available before, in a special edition hardcover volume. This edition includes the full first volume written by Jeremy Whitley and illustrated by M Goodwin. Additionally, it includes the Skullkickers Crossover written by Jim Zub and illustrated by M Goodwin, as well as the first two Princeless short story collections including work by Jules Rivera, Quinn Larsen, Kelly Lawrence, and Nancy King.

The second deluxe Princeless hardcover takes Adrienne, Bedelia, and their dragon Sparky deep into the Grasslands to find Adrienne's sister Angelica, the most beautiful princess in all of the land. Little does Adrienne know that Angelica has gained a small army of admirers and might not be so keen to leave. Meanwhile, the King has hired a group of deadly knights to track down and kill the knight he believes is responsible for Adrienne's death, unaware that he's putting out a hit on the daughter he already believes to be dead.

One out of every hundred adults in the U.S. is in prison. This book provides a crash course in what drives mass incarceration, the human and community costs, and how to stop the numbers from going even higher. This volume collects the three comic books published by the Real Cost of Prisons Project. The stories and statistical information in each comic book is thoroughly researched and documented.

An African American who performed in blackface to challenge racial stereotypes; a woman whose song, "I Don't Care," became emblematic of the modern "New Woman"; and a female impersonator whose act was created to uphold the traditional values of American femininity. These stories are at the center of David Hajdu's new work of graphic nonfiction, which recounts the lives and careers of Bert Williams, Eva Tanguay and Julian Eltinge, three of the most popular and influential vaudeville performers at the turn of the twentieth century. Hajdu's history reveals how popular American entertainment as we know it first took form in vaudeville, and the ways these three artists challenged conceptions of race, gender, and what it meant to be an American during a pivotal time in the nation's history. Hajdu and the artist John Carey intertwine the stories of Williams, Eltinge, and Tanguay with sections that focus on subjects relating to their lives and careers, such as the histories of minstrelsy or gender-bending in American theater. The book tells how the West Indian Bert Williams found a balance in his act that at once played to and challenged ideas of Blackness in American life. Eva Tanguay, who was known as "The Queen of Vaudeville," embodied a fiercely radical challenge to the prevailing conceptions of female propriety. Julian Eltinge, to whom Tanguay was briefly "engaged," created a precise impersonation of the dainty, graceful proper woman, while maintaining an offstage persona of hypermasculinity. Hajdu and Carey conclude the book by examining how these artists influenced the acts and personas of later performers ranging from Elvis Presley to Prince to Nikki Minaj.

Part memoir, part self-help book, So Much For Love offers hilarious and empathetic advice on how to survive a relationship with a master manipulator. Sophie had always been cynical about love--until she meets Marcus. His affection and doting praise melt away her defenses. The beginning of their relationship was a whirlwind romance, but over time she finds herself on uneven footing. Marcus lies. He's violently angry and bewilderingly inconsistent. Yet somehow he always manages to explain away his behavior and to convince Sophie that it's all in her head. The whiplash of this toxic relationship has Sophie's head spinning. When she hits rock bottom, she fights her way out with fierce honesty, irreverent humor, and the help of Chocolat, a wisecracking, booze-drinking bear.

This is the story of Julia Alekseyeva and her great-grandmother Lola. Born in 1910 to a poor, Jewish family outside of Kiev, Lola lived through the Bolshevik revolution, a horrifying civil war, Stalinist purges, and the Holocaust. She taught herself to read, and supported her extended family working as a secretary for the notorious NKVD (which became the KGB) and later as a lieutenant for the Red Army. Interwoven with Lola's history we find Julia's own struggles of coming of age in an immigrant family in Chicago, and her political awakening in the midst of the radical politics of the turn of the millennium.

"Speak up for yourself - we want to know what you have to say." From the first moment of her freshman year at Merryweather High, Melinda knows this is a big fat lie, part of the nonsense of high school. She is friendless - an outcast - because she busted an end-of-summer party by calling the cops, so now nobody will talk to her, let alone listen to her. Through her work on an art project, she is finally able to face what really happened that night: She was raped by an upperclassman, a guy who still a threat to her

Miikwan and Dez are best friends. Miikwan's Anishinaabe; Dez is Inninew. Together, the teens navigate the challenges of growing up in an urban landscape - they're so close, they even completed their Berry Fast together. However, when Dez's grandmother becomes too sick, Dez is told she can't stay with her anymore. With the threat of a group home looming, Dez can't bring herself to go home and disappears. Miikwan is devastated, and the wound of her missing mother resurfaces. Will Dez's community find her before it's too late? Will Miikwan be able to cope if they don't? Colonialism and the issue of Missing and Murdered Indigenous Women, Girls, and Two-Spirit People are explored in Natasha Donovan's beautiful illustrations.

Dez and Miikwan's stories continue in this sequel to Surviving the City. Dez's grandmother has passed away. Grieving, and with nowhere else to go, she's living in a group home. On top of everything else, Dez is navigating a new relationship and coming into her identity as a Two-Spirit person. Miikwan is crushing on the school's new kid Riel, but doesn't really understand what Dez is going through. Will she learn how to be a supportive ally to her best friend? Elder Linda is doing her best to be supportive, but she doesn't know how to respond when the gendered protocols she's grown up with that are being thrown into question. Will Dez be comfortable expressing her full identity? And will her community relearn the teachings and overcome prejudice to celebrate her for who she is?

In This is How I Disappear, Mirion Malle paints an empathetic portrait of a young woman wrestling with psychological stress and the trauma following an experience of sexual assault. Malle displays frankness and a remarkable emotional intelligence as she explores depression, isolation, and self-harm in her expertly-drawn novel. Her heroine battles an onslaught of painful emotions and while Clara can provide consolation to those around her, she finds it difficult to bestow the same understanding unto herself. Only when she allows her community to guide her towards self-love does she find relief. Filled with 21st century idioms and social media communication, This Is How I Disappear opens a window into the lives of young people as they face a barrage of mental health hurdles. Scenes of sisterhood, fun nights out singing karaoke, and impromptu FaceTime therapy sessions show how this generation is coping, connecting, and healing together.

Growing up, Liz Prince wasn't a girly girl, but she wasn't exactly one of the guys either (as she learned when her little league baseball coach exiled her to the distant outfield). She was somewhere in between. But with the forces of middle school, high school, parents, friendship, and romance pulling her this way and that, the middle wasn't an easy place to be. Tomboy follows award-winning author and artist Liz Prince through her early years and explores--with humor, honesty, and poignancy--what it means to "be a girl." From staunchly refuting "girliness" to the point of misogyny, to discovering through the punk community that your identity is whatever you make of it, Tomboy offers a sometimes hilarious, sometimes heartbreaking account of self-discovery in modern America.

This book tells the true stories of five brave teens fleeing their home countries of Guatemala, El Salvador, Honduras, and Guinea, on their own, traveling through unknown and unfriendly places, and ultimately crossing into the US to find refuge and seek asylum. Based on extensive interviews with teen refugees, lawyers, caseworkers, and activists, Tracy White shines a light on five individual kids from among the tens of thousands of unaccompanied minors who enter the US each year. In stark black and white illustrations, she helps us understand why some young people would literally risk their lives to seek safety in the US. Each one of them has been backed into a corner where emigration to the US seems like their only hope.

In expanding the story of Kim and her friends, the authors pay tribute to Black sisterhood through portraits of shared, yet deeply personal experiences of Black hair care. From self-care to spilling the tea at an hours-long salon appointment to healing family rifts, the stories are brought to life through beautifully drawn characters and different color palettes reflecting the mood in each story.

Artist Ana Penyas's grandmothers Maruja and Herminia live alone in their respective Spanish towns, largely neglected by their children and relatives, who never visit. But when Ana comes to see them, she realizes that these women, whose day-to-day existences now seem mundane, experienced firsthand an incredibly tumultuous and fascinating period of Spanish history. In We're All Just Fine, Penyas weaves the memories of her grandmothers to craft a narrative quilt that pieces together what it was like for women to assimilate to Spain's dramatic political and cultural shifts in the late 1970s and '80s. The sudden transition from the authoritarian, repressive Franco regime to lively and liberating democracy was at once incredibly freeing but also destabilizing for women used to their traditional roles as dutiful housewives. Through this intimate lens into her grandmothers' daily struggle -- of their silence, the small acts of rebellion, and great gestures of resilience -- Penyas gives voice to an entire generation of "invisible'' women whose stories have rarely been told.

As a second-generation Pakistani immigrant living in East London, Sabba Khan paints a vivid snapshot of contemporary British Asian life and investigates the complex shifts experienced by different generations within immigrant communities, creating an uplifting and universal story that crosses borders and decades. Race, gender, and class are explored in a compelling personal narrative creating a strong feminist message of self-reflection and empowerment which is illuminated in stunning artwork.

Brandon-Croft appraises popular opinion through nine distinct women in constant dialogue. From diets to daycare to debt to the dreaded microaggressions of everyday racism, no issue is off-limits

May, a young teenage girl, traverses the city streets, finding keepsakes in different places along her journey. When May and her kookum make these keepsakes into a necklace, it opens a world of danger and fantasy. While May fights against a terrible reality, she learns that there is strength in the spirit of those that have passed. But will that strength be able to save her? A story of tragedy and beauty, Will I See illuminates the issue of missing and murdered Indigenous women. Based on the story by Iskwé and Erin Leslie.

Told in colorful graphic novel form, this is the story of four pioneers of feminist art: Judy Chicago, Faith Ringold, Ana Mendieta, and the Guerilla Girls. Each made their mark in their own powerful way. Judy Chicago made us reassess the female body, Faith Ringold taught us that feminism is for everyone, Ana Mendieta was a martyr to violence against women, while the Guerilla Girls have taken the fight to the male-dominated museum. This graphic novel tells each of their stories in a unique style.

Popular Instagram cartoonist and Muslim-American Huda Fahmy presents a hilarious, relatable, and painfully honest new collection of comics that break down barriers and show how universal our everyday problems, worries, and joys actually are. In Yes, I'm Hot in This, Huda navigates the sometimes-rocky waters of life from the unique perspective of a Muslim-American woman, breaking down misconceptions of her culture one comic at a time. From recounting the many questions she gets about her hijab every day (yes, she does have hair) and explaining how she runs in an abaya (just fine, thank you) to dealing with misconceptions about Muslims, Yes, I'm Hot in This tackles universal feelings from an point of view we don't hear from nearly enough.