Comics, Manga and Graphic Novels: Religions

Drawing on the unique historical sites, archives, expertise, and unquestioned authority of the Anne Frank House in Amsterdam,New York Times bestselling authors Sid Jacobson and Ernie Colón have created the first authorized and exhaustive graphic biography of Anne Frank. Their account is complete, covering the lives of Anne's parents, Edith and Otto; Anne's first years in Frankfurt; the rise of Nazism; the Franks' immigration to Amsterdam; war and occupation; Anne's years in the Secret Annex; betrayal and arrest; her deportation and tragic death in Bergen-Belsen; the survival of Anne's father; and his recovery and publication of her astounding diary.

Maus is a haunting tale within a tale. Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits.

Persepolis is the story of Marjane Satrapi's childhood and coming of age within a large and loving family in Tehran during the Islamic Revolution; of the contradictions between private life and public life in a country plagued by political upheaval; of her high school years in Vienna facing the trails of adolescence far from her family; of her homecoming--both sweet and terrible; and, finally, of her self-imposed exile from her beloved homeland.

Presenting an illustrated horror tale for the twenty-first century and a modern update to the class haunted house story, Infidel follows a young American Muslim woman and her multi-racial neighbors who move into a building haunted by entities fueled by xenophobia.

Gila, 26, was at a party when the police showed up. The men were able to get away with bribes, but the women were taken to the station, and anyone who'd been drinking was forced to submit to a virginity test. She never went to another party after that. Zeinab is 20 and she loves being a woman in Iran. She says that she feels like a queen! And despite all the risks, she confesses that she makes love with her boyfriend because the danger excites her. Vahid is 26. He was a leader with the Green Movement. Then he watched his friend Neda die right in front of him. Now he keeps his head down, trying to finish his studies. In a series of vignettes based on clandestine interviews, this award-winning graphic novel explores the politics and love lives of ten young Iranian men and women from diverse backgrounds. The result is an honest portrait of Iranian youth today and a rare glimpse into a society where the sexes are strictly segregated; and Western journalists aren't welcome. Through testimonies from across the country, we learn about traditional marriages, the pressures of living under the regime, and how young people escape the police and defy tradition to live their love stories.

This collection of folk tales, stories and myths told in comic book format by some of the biggest names in comic book history contains never before seen interpretations of ancient tales, including some rare work from legends like Will Eisner, Art Spiegelman, Harvey Pekar, Joe Kubert, and Robert Crumb. The stories within these pages range from spiritual, to supernatural, to humorous, to tales of wisdom, adventure and discovery. Some of the tales told here have been published as far back as the 1940s from artists all over the world, alongside incredible new talents whose work has been created exclusively for this volume. Other contributors include Tony DeZuniga, Adam Gorham, Joe Infumari, Yaakov Kirschen, Clifford Meth, Michael Netzer, Trina Robbins, Sharon Rudahl, and Andy Stanleigh.

Inside SCI: The Jewish comics anthology Volume 2 you will find 18 original comic books and graphic novel tales full of action, drama, humour, horror and romance. Edited by Steven Bergson, each story is based on ages-old fables, myths and legends from Hebrew culture--re-imagined as epic sci-fi visions of the future!

This long-awaited sequel, subtitled And Here My Troubles Began, moves us from the barracks of Auschwitz to the bungalows of the Catskills. Genuinely tragic and comic by turns, it attains a complexity of theme and a precision of thought new to comics and rare in any medium. Maus ties together two powerful stories: Vladek's harrowing tale of survival against all odds, delineating the paradox of daily life in the death camps, and the author's account of his tortured relationship with his aging father. Vladek's troubled remarriage, minor arguments between father and son, and life's everyday disappointments are all set against a backdrop of history too large to pacify. At every level this is the ultimate survivor's tale -- and that too of the children who somehow survive even the survivors.

Maus is a haunting tale within a tale. Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits.

In tumultuous late '60s Chicago, 10-year-old Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a Holocaust survivor, while the interconnected stories of those around her unfold. When Karen's investigation takes us back to Anka's life in Nazi Germany, the personal, the political, the past, and the present converge.

In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging. Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran. As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up--here compounded by Marjane's status as an outsider both abroad and at home--it is raw, honest, and incredibly illuminating.

This version of the The Ramayana is told from the perspective of Sita, the queen. It is an allegorical story that contains important Hindu teachings, and it has had great influence on Indian life and culture over the centuries.

This is the story of Julia Alekseyeva and her great-grandmother Lola. Born in 1910 to a poor, Jewish family outside of Kiev, Lola lived through the Bolshevik revolution, a horrifying civil war, Stalinist purges, and the Holocaust. She taught herself to read, and supported her extended family working as a secretary for the notorious NKVD (which became the KGB) and later as a lieutenant for the Red Army. Interwoven with Lola's history we find Julia's own struggles of coming of age in an immigrant family in Chicago, and her political awakening in the midst of the radical politics of the turn of the millennium.

As a second-generation Pakistani immigrant living in East London, Sabba Khan paints a vivid snapshot of contemporary British Asian life and investigates the complex shifts experienced by different generations within immigrant communities, creating an uplifting and universal story that crosses borders and decades. Race, gender, and class are explored in a compelling personal narrative creating a strong feminist message of self-reflection and empowerment which is illuminated in stunning artwork.

Based on six of hundreds of newly discovered, never-before-published autobiographies of Eastern European Jewish teens on the brink of WWII--found in 2017 hidden in a Lithuanian church cellar. These autobiographies, long thought destroyed by the Nazis, were written as entries for three competitions held in Eastern Europe in the 1930s, just before the horror of the Holocaust forever altered the lives of the young people who wrote them. In When I Grow Up, Krimstein shows us the stories of these six young men and women in riveting, almost cinematic narratives, full of humor, yearning, ambition, and all the angst of the teenage years. It's as if half a dozen new Anne Frank stories have suddenly come to light, framed by the dramatic story of the documents' rediscovery. Beautifully illustrated, heart-wrenching, and bursting with life, When I Grow Up reveals how the tragedy that is about to befall these young people could easily happen again, to any of us, if we don't learn to listen to the voices from the past.

In R. J. Palacio's bestselling collection of stories Auggie & Me, which expands on characters in Wonder, readers were introduced to Julian's grandmother, Grandmère. Here, Palacio makes her graphic novel debut with Grandmère's heartrending story: how she, a young Jewish girl, was hidden by a family in a Nazi-occupied French village during World War II; how the boy she and her classmates once shunned became her savior and best friend. Sara's harrowing experience movingly demonstrates the power of kindness to change hearts, build bridges, and even save lives. As Grandmère tells Julian, "It always takes courage to be kind, but in those days, such kindness could cost you everything." With poignant symbolism and gorgeous artwork that brings Sara's story out of the past and cements it firmly in this moment in history, White Bird is sure to captivate anyone who was moved by the book Wonder or the blockbuster movie adaptation and its message.

Popular Instagram cartoonist and Muslim-American Huda Fahmy presents a hilarious, relatable, and painfully honest new collection of comics that break down barriers and show how universal our everyday problems, worries, and joys actually are. In Yes, I'm Hot in This, Huda navigates the sometimes-rocky waters of life from the unique perspective of a Muslim-American woman, breaking down misconceptions of her culture one comic at a time. From recounting the many questions she gets about her hijab every day (yes, she does have hair) and explaining how she runs in an abaya (just fine, thank you) to dealing with misconceptions about Muslims, Yes, I'm Hot in This tackles universal feelings from an point of view we don't hear from nearly enough.