Comics, Manga and Graphic Novels: Other Countries in Comics

Based on an 1876 court transcript of a West African woman named Abina, who was wrongfully enslaved and took her case to court. The story of Abina Mansah - a woman "without history" who was wrongfully enslaved, escaped to British-controlled territory, and then took her former master to court - takes place in the complex world of the Gold Coast at the onset of late nineteenth-century colonialism. Parts II-V provide detailed historical context for the story, a reading guide that reconstructs and deconstructs the methods used to interpret the story, and strategies for using Abina in various classroom settings. Focusing on such important themes as the relationship between slavery and gender in pre-colonial Akan society, the role of marriage in Abina's experience, colonial paternalism, and the meaning of cloth and beads in her story, this section also includes a debate on whether or not Abina was a slave, with contributions by three award-winning scholars - Antoinette Burton, Sandra Greene, and Kwasi Konadu - each working from different perspectives.

Enter a Filipino fantasy world where myth, magic, and mystery collide! On the shadowy, noir-tinged streets of Manila, two friends seek a cure for a mysterious malady. To add to their problems, the Magic Prohibition Act has been adopted, and Lambana -- the supernatural realm of the Diwata -- has fallen. Slinky sirenas and wraith-like spirits populate this parallel universe of lurking danger and corruption. Will Lambana spill its secrets and provide the healing balm that's needed? Or will Conrad and Ignacio fail in their quest and perish in the process?

An independent kingdom of runaway slaves founded in the late 16th century, Angola Janga was a beacon of freedom in a land plagued with oppression. In stark black ink and chiaroscuro panel compositions, D'Salete brings history to life: the painful stories of fugitive slaves on the run, the brutal raids by Portuguese colonists, and the tense power struggles within this precarious kingdom. At turns heartbreaking and empowering, Angola Janga sheds light on a long-overlooked moment of resistance against oppression.

Meet Charlie Chan Hock Chye. Now in his early 70s as he looks back on his career, Chan has spent a lifetime making comics in his native Singapore since he was a boy of 16, in 1954. The artist doubles here as both the narrator and the subject matter, as his life story parallels the changes in Singapore over five decades since the war. The evolution of his artwork mirrors the evolution of both his homeland and the comic book medium itself. The myriad art styles employed by Liew go beyond deft sleight-of-hand and actually inform the narrative in a thoroughly ingenious and engaging way. While all the detail about the formation of the Singapore government adheres meticulously to the facts, the reader is ultimately left wondering whether or not Charlie Chan Hock Chye himself is real or a construct. And given the subject at hand, that quandary only adds to the themes raised in this enthralling graphic novel.

When Kim Hyun Sook started college in 1983 she was ready for her world to open up. After acing her exams and sort-of convincing her traditional mother that it was a good idea for a woman to go to college, she looked forward to soaking up the ideas of Western Literature far from the drudgery she was promised at her family's restaurant. But literature class would prove to be just the start of a massive turning point, still focused on reading but with life-or-death stakes she never could have imagined. This was during South Korea's Fifth Republic, a military regime that entrenched its power through censorship, torture, and the murder of protestors. In this charged political climate, with Molotov cocktails flying and fellow students disappearing for hours and returning with bruises, Hyun Sook sought refuge in the comfort of books. When the handsome young editor of the school newspaper invited her to his reading group, she expected to pop into the cafeteria to talk about Moby Dick, Hamlet, and The Scarlet Letter. Instead she found herself hiding in a basement as the youngest member of an underground banned book club. And as Hyun Sook soon discovered, in a totalitarian regime, the delights of discovering great works of illicit literature are quickly overshadowed by fear and violence as the walls close in. In BANNED BOOK CLUB, Hyun Sook shares a dramatic true story of political division, fear-mongering, anti-intellectualism, the death of democratic institutions, and the relentless rebellion of reading.

In China in 1898 bands of foreign missionaries and soldiers roam the countryside, bullying and robbing Chinese peasants. Little Bao has had enough: harnessing the powers of ancient Chinese gods, he recruits an army of Boxers--commoners trained in kung fu who fight to free China from "foreign devils."

Chii and her husband are like any other happily married couple, except for one thing: Chii was assigned male at birth. Chii details her autobiographical account of growing up with gender dysphoria and ultimately deciding to transition in her early adult years. Shortly after Chii starts transitioning, she meets a man who is instantly enamored by her, and although he is surprised when Chii eventually tells him she used to live as a guy, he still wants to go out with her. As Chii continues to transition, her boyfriend supports her through the process, culminating in their marriage once her transition is complete.

Persepolis is the story of Marjane Satrapi's childhood and coming of age within a large and loving family in Tehran during the Islamic Revolution; of the contradictions between private life and public life in a country plagued by political upheaval; of her high school years in Vienna facing the trails of adolescence far from her family; of her homecoming--both sweet and terrible; and, finally, of her self-imposed exile from her beloved homeland.

Oil waste was everywhere--on the roads, in the rivers where they fished, and in the water that they used for bathing, cooking, and washing. Children became sick and died, cases of stomach cancer skyrocketed, and women miscarried or gave birth to children with congenital disorders. The American oil company Texaco--now part of Chevron--extracted its first barrel of crude oil from Amazonian Ecuador in 1972. It left behind millions of gallons of spilled oil and more than eighteen million gallons of toxic waste. In Crude, Ecuadorian lawyer and activist Pablo Fajardo gives a firsthand account of Texaco's involvement in the Amazon as well as the ensuing legal battles between the oil company, the Ecuadorian government, and the region's inhabitants. As a teenager, Fajardo worked in the Amazonian oil fields, where he witnessed the consequences of Texaco/Chevron's indifference to the environment and to the inhabitants of the Amazon. Fajardo mobilized with his peers to seek reparations and in time became the lead counsel for UDAPT (Union of People Affected by Texaco), a group of more than thirty thousand small farmers and indigenous people from the northern Ecuadorian Amazon who continue to fight for reparations and remediation to this day. Eye-opening and galvanizing, Crude brings to light one of the least well-known but most important cases of environmental and racial injustice of our time.

DAYTRIPPER follows the life of one man, Bras de Olivias Dominguez. Every chapter features an important period in Bras' life in Brazil, and each story ends the same way--with his death. And then, the following story starts up at a different point in his life, oblivious to his death in the previous issue--and then ends with him dying again. In every chapter, Bras dies at different moments in his life, as the story follows him through his entire existence--one filled with possibilities of happiness and sorrow, good and bad, love and loneliness. Each issue rediscovers the many varieties of daily life, in a story about living life to its fullest--because any of us can die at any moment.

Inspired by West African folklore and stories handed down over centuries, follows the adventures of Mansour Keita, last prince of a dying kingdom, and Awa Kouyaté, his loyal Djeli, or 'royal storyteller' as they journey to meet the great wizard who destroyed their world and then withdrew into his tower, never to be seen again. On their journey they'll cross paths with friend and foe, from myth and legend alike, and revisit the traditions, tales, and stories that gave birth to their people and nurture them still. But what dark secret lies at the heart of these stories, and what purpose do their tellers truly serve?

Katie heads out west to take advantage of Alberta's oil rush-part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. Katie encounters the harsh reality of life in the oil sands, where trauma is an everyday occurrence yet is never discussed. Beaton's natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, northern lights, and boreal forest. Her first full length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.

Someone is committing barbarous murders throughout Barcelona, focusing on locations designed by renowned visionary architect Antoni Gaudi. The police have no clues, but a young woman is thrust into the investigation by a man resembling the late Gaudi himself, led to the scenes of the crimes before they even occur... could be a precognizant ghost? A visual tour through the beautiful streets of Barcelona on a true edge-of-your-seat thriller written by El Torres and illustrated by Jesus Alonso, both natives of the city.

Mieri is an awkward, nerdy college student with no dating experience, and her previous crushes on fellow butch women have all ended in disaster. That all changes when she meets Ash and has her feelings returned for the first time. But when first love turns to first heartbreak, Mieri will do everything possible to win Ash back.

Charlie Spring is in Year 10 at Truham Grammar School for Boys. The past year hasn't been too great, but at least he's not being bullied anymore, and he's sort of got a boyfriend, even if he's kind of mean and only wants to meet up in secret. Nick Nelson is in Year 11 and on the school rugby team. He's heard a little about Charlie--the kid who was outed last year and bullied for a few months--but he's never had the opportunity to talk to him. That is, until the start of January, in which Nick and Charlie are placed in the same form group and made to sit together. They quickly become friends, and soon Charlie is falling hard for Nick, even though he doesn't think he has a chance. But love works in surprising ways, and sometimes good things are waiting just around the corner...

A stunning visual biography of one of Japan's most famous historical artists, this book beautifully illustrates the story of Katsushika Hokusai. Enter the world of Katsushika Hokusai - the enigmatic creator of Japanese art's all-time most iconic image. This vivid graphic biography tells the story of Hokusai's intriguing life and pioneering works, details the fascinating historical context of Edo-era Japan, and explains how Hokusai forged an image of his country that still resonates across the world today. Telling the story of both his eccentric (and incredibly productive) life - while simultaneously painting a fascination picture of his wider cultural legacy, this book is ideal for both those new to Hokusai's work - and his biggest fans.

On March 11, 2011, Japan suffered the largest earthquake in its modern history. The 9.0-magnitude quake threw up a devastating tsunami that wiped away entire towns, and caused, in the months afterward, three nuclear meltdowns at the Fukushima Daiichi Nuclear Plant. Altogether, it was the costliest natural disaster in human history. This is not the story of that disaster. This is the story of a man who took a job. Kazuto Tatsuta was an amateur artist who signed onto the dangerous task of cleaning up the Fukushima Daiichi Nuclear Plant, which the workers came to call "Ichi-F." This is the story of that challenging work, of the trials faced by the local citizens, and of the unique camaraderie that built up between the mostly blue-collar workers who had to face the devious and invisible threat of radiation on a daily basis. After six months, Tatsuta's body had absorbed the maximum annual dose of radiation allowed by regulations, and he was forced to take a break from the work crew, giving him the time to create this unprecedented, unauthorized, award-winning view of daily life at Fukushima Daiichi.

Because of a hearing disability, Kohei is often misunderstood and has trouble integrating into life on campus, so he learns to keep his distance. That is until he meets the outspoken and cheerful Taichi. He tells Kohei that his hearing loss is not his fault. Taichi's words cut through Kohei's usual defense mechanisms and open his heart. More than friends, less than lovers, their relationship changes Kohei forever.

Due to the overwhelming success of I Hear the Sunspot, the sequel has finally arrived, I Hear the Sunspot: Theory of Happiness! How will this 'more than friends, less than lovers' relationship evolve? Because of a hearing disability Kohei is often alone. Taichi is outspoken and cheerful. At first, Kohei keeps himself well guarded, but after he meets Taichi he slowly learns to open up.

Based on a decade of interviews and archival research, the English translation of this best-selling graphic novel tells the story of Nok, an old blind man who sells lottery tickets in Bangkok, as he decides to leave the urban capital and return to his native village. The King of Bangkok follows Nok as he walks the streets of the city for the last time, trying to get rid of his last five lottery tickets. With each ticket he sells, he encounters something that brings him back to a period of his life, from his arrival in Bangkok all the way to the Red Shirt protests of 2010. Through an alternation of reflections on contemporary Bangkok and flashbacks to his past, we reconstruct Nok's story, the love story with his wife Gai, and the ups and downs of their migrant lives, as well as those of an entire country around them. This is a story of migration to the city and distant families in the countryside; economic development eroding the land, and of political protest choked in blood. Ultimately, it is a story about contemporary Thailand and how the waves of history lift, engulf, or crash two ordinary people. A perfect entry into the history of contemporary Thailand, this book is essential reading for both students and travelers.

Humanity is on the verge of discovering immortality. The avatar of Death is cast down to Earth to live a mortal life in Mumbai as twenty-something Laila Starr. Will Laila take her chance to stop mankind from permanently altering the cycle of life?

In her first book of comic strips, Emma reflects on social and feminist issues by means of simple line drawings, dissecting the mental load, i.e. all that invisible and unpaid organising, list-making and planning women do to manage their lives, and the lives of their family members. In her strips Emma deals with themes ranging from maternity leave (it is not a vacation!), domestic violence, the clitoris, the violence of the medical world on women during childbirth, and other feminist issues, and she does so in a straightforward way that is both hilarious and deadly serious. Emma's comics also address the everyday outrages and absurdities of immigrant rights, income equality, and police violence.

After spending her early years in Wuhan, China, riding water buffalos and devouring stinky tofu, Laura immigrates to Texas, where their hometown is as foreign as Mars--at least until 2020, when COVID-19 makes Wuhan a household name. In Messy Roots, Laura illustrates their coming-of-age as the kid who simply wants to make the basketball team, escape Chinese school, and figure out why girls make their heart flutter. Insightful, original, and hilarious, toggling seamlessly between past and present, China and America, Gao's debut is a tour de force of graphic storytelling.

Muhammad Najem was only eight years old when the war in Syria began. He was thirteen when his father was killed in a bombing while praying. By fifteen, he didn't want to hide anymore--he wanted to act. Determined to reveal what families like his were enduring in Syria--and armed only with the camera on his phone--Muhammad started reporting on the war on social media. He interviewed other kids to show they were just like kids in other countries, with their own hopes and dreams. Despite unimaginable loss, Muhammad sought to document the humanity of the Syrian people...and eventually the world took notice. A graphic memoir told by Muhammad himself along with CNN producer Nora Neus, who helped break Muhammad's story.

Yaichi is a work-at-home suburban dad in contemporary Tokyo, married to wife Natsuki, father to young daughter Kana. Their lives are suddenly upended with the arrival at their doorstep of a hulking, affable Canadian named Mike Flanagan, who declares himself the widower of Yaichi's estranged gay twin, Ryoji. Mike is on a quest to explore Ryoji's past, and the family reluctantly but dutifully takes him in. What follows is an unprecedented, revelatory look at and journey into the largely still-closeted Japanese gay culture: how it's been affected by the West, and how the next generation has the chance to change the preconceptions of and prejudices against it.

Other Russias is the brilliant first collection of graphic journalism by artist and activist Victoria Lomasko. A fixture at Moscow's protest and political trials, Lomasko illuminates the inequality and injustice at the heart of contemporary Russian society. Not content to remain in the capital, she travels the country, visiting schools in dying villages; interviewing sex workers in foundering industrial towns; teaching art to children at juvenile prisons--all while drawing their stories. Her portraits give voice to Russia's many voiceless citizens and allow readers to see them as she does: with dignity, compassion, and love.

The book that brought pre-eminent Manga-ka Shigeru Mizuki to the English-speaking world. Kokopo, 1943: A platoon of soldiers is ordered into battle. The objective is death. The alternative is certain execution as a consequence of survival. Inspired by Eisner Award-winning author Shigeru Mizuki's own mandatory tour of duty as an active combatant in the Imperial Japanese Army, Onward Towards Our Noble Deaths portrays a flailing infantry unit on its last legs near the end of the Second World War. This deeply personal and landmark anti-war work could only have been made by a pacifist. The desperation and moral depravity on display is devastating. Mizuki's fanciful characters must make do against a photo-realistic backdrop teeming with tropical life that remains inhospitable. Indeed, commanding officers prove even more ferocious than the wild unknown of Papua New Guinea. And yet the human instinct endures, seeing through the absurdity of such a rigid and outdated command structure with gallows humor.

Uses a comic book format to shed light on the complex and emotionally-charged situation of Palestinian Arabs, exploring the lives of Israeli soldiers, Palestinian refugees, and children in the Occupied Territories.

The debut graphic novel from Thai-Italian illustrator Elisa Macellari, Papaya Salad tells the story of her great-uncle Sompong who found himself in Europe on military scholarship on the eve of World War I. A gentle and resolute man in love with books and languages, in search of his place in the world, Sompong chronicles his life during the war and falling for his wife, finding humor and joy even as the world changes irrevocably around him.

The Dene have lived in the vast Mackenzie River Valley since time immemorial, by their account. To the Dene, the land owns them, not the other way around, and it is central to their livelihood and very way of being. But the subarctic Canadian Northwest Territories are home to valuable resources, including oil, gas, and diamonds. With mining came jobs and investment, but also road-building, pipelines, and toxic waste, which scarred the landscape, and alcohol, drugs, and debt, which deformed a way of life. In Paying the Land, Joe Sacco travels the frozen North to reveal a people in conflict over the costs and benefits of development. The mining boom is only the latest assault on indigenous culture: Sacco recounts the shattering impact of a residential school system that aimed to "remove the Indian from the child"; the destructive process that drove the Dene from the bush into settlements and turned them into wage laborers; the government land claims stacked against the Dene Nation; and their uphill efforts to revive a wounded culture. Against a vast and gorgeous landscape that dwarfs all human scale, Paying the Land lends an ear to trappers and chiefs, activists and priests, to tell a sweeping story about money, dependency, loss, and culture--recounted in stunning visual detail by one of the greatest cartoonists alive.

In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging. Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran. As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up--here compounded by Marjane's status as an outsider both abroad and at home--it is raw, honest, and incredibly illuminating.

Born in Mexico City in 1942, Graciela Iturbide wants to be a writer, but her conservative family has a different idea. Although she initially follows their wishes, she soon grows restless. After tragedy strikes, she turns to photography to better understand the world. The photographic journey she embarks on takes her throughout Mexico and around the globe, introducing her to fascinating people and cultures, and eventually bringing her success and fame. With more than two dozen photographs by Iturbide herself, Photographic explores the questions of what it means to become an artist.

Adapted from the landmark essay Enforcing Order, this striking graphic novel offers an accessible inside look at policing and how it leads to discrimination and violence. What we know about the forces of law and order often comes from dramatic episodes that make the headlines, or from sensationalized versions for film and television. These gripping accounts can obscure a crucial aspect of police work: the tedium of everyday patrols and paperwork, under a constant pressure to meet numbers. Around the time of the 2005 French riots, anthropologist and sociologist Didier Fassin spent fifteen months observing up close the daily life of an anti-crime squad in one of the largest precincts in the Paris region. His unprecedented study, which sparked intense discussion about policing in the largely working-class, immigrant suburbs, remains acutely relevant in light of all-too-common incidents of police brutality against minorities. This new, powerfully illustrated adaptation clearly presents the insights of Fassin's investigation, and draws connections to the challenges we face today.

What does freedom look like from inside an Israeli prison? A bird perches on the cell window and offers a deal: "You bring the pencil, and I will bring the stories," stories of family, of community, of Gaza, of the West Bank, of Jerusalem, of Palestine. The two collect threads of memory and intergenerational trauma from ongoing settler-colonialism. Helping us to see that the prison is much larger than a building, far wider than a cell; it stretches through towns and villages, past military checkpoints and borders. But hope and solidarity can stretch farther, deeper, once strength is drawn of stories and power is born of dreams. Translating headlines into authentic lived experiences, these stories come to life in the striking linocut artwork of Mohammad Sabaaneh, helping us to see Palestinians not as political symbols, but as people.

Run for It--a starkly stunning graphic novel by internationally acclaimed illustrator Marcelo d'Salete--is one of the first literary and artistic efforts to confront Brazil's hidden history of slavery. Seen through the eyes of its victims, Run for It tells of ordinary slaves who rebel against their masters. Run for It's vivid illustrations and magical realism engage the reader's poetic imagination through stories of individual suffering caused by the horrors of slavery. Originally published in Brazil--where it was nominated for three of the country's most prestigious comics awards--Run for It has received rave reviews worldwide. These intense tales offer a tragic and gripping portrait of one of history's darkest corners. It's hard to look away.

Shouta Kikuzato's hopes of starting on his school's prestigious soccer team are derailed when a terrible incident costs him his leg. Now in his first year of high school (again), Kikuzato has resigned himself to never reaching his athletic dreams. But when Chidori, a passing prosthetist, notices Kikuzato's artificial limb-- and speed--as he races through the train station, the specialist proposes a partnership: Chidori will build Kikuzato a brand-new leg designed solely for speed. All Kikuzato has to do is run!

The long-awaited and highly sought after 240-page look at war in the former Yugoslavia. Sacco (the critically-acclaimed author of Palestine) spent five months in Bosnia in 1996, immersing himself in the human side of life during wartime, researching stories that are rarely found in conventional news coverage. The book focuses on the Muslim-held enclave of Gorazde, which was besieged by Bosnian Serbs during the war. Sacco lived for a month in Gorazde, entering before the Muslims trapped inside had access to the outside world, electricity or running water.

China, 1898. An unwanted and unwelcome fourth daughter, Four-Girl isn't even given a proper name by her family when she's born. She finally finds friendship-- and a name, Vibiana -- in the most unlikely of places: Christianity. But China is a dangerous place for Christians. The Boxer Rebellion is in full swing, and bands of young men roam the countryside, murdering Westerners and Chinese Christians alike. Torn between her nation and her Christian friends, Vibiana will have to decide where her true loyalties lie-- and whether she is willing to die for her faith.

A brilliant and imaginative debut graphic novel that brings to life a fantastical Cairo where wishes are real. Author, illustrator, and translator Deena Mohamed presents a literary, feminist, Arab-centric graphic novel that marries magic and the socio-political realities of contemporary Egypt. Shubeik Lubeik-a fairytale rhyme meaning "Your Wish is My Command" in Arabic-is the story of three characters navigating a world where wishes are literally for sale; mired in bureaucracy and the familiar prejudices of our world, the more expensive the wish, the more powerful and therefore the more likely to work as intended. The novel's three distinct parts tell the story of three first class wishes as used by Aziza, Nour, and Shokry, each grappling with the challenge inherent in trying to make your most deeply held desire come true. Deena's mix of calligraphy and contemporary styles, brings to life a vibrant Cairene neighborhood, and a cast of characters whose struggles and triumphs are deeply resonant.

Fantagraphics Books is proud to introduce American readers to more than 30 artists working on the cutting edge of the form. Spanish Fever is an anthology showcasing the best of the new wave of art comics from a country with one of the strongest cartoon traditions in Europe. It includes the work of masters of the form such as Paco Roca, Miguel Gallardo, David Rubín and Miguel Ángel Martín as well as newcomers like José Domingo, Anna Galvañ, Álvaro Ortiz and Sergi Puyol.

From Governor-General's Award-winning writer David A. Robertson comes this special edition of the timeless graphic novel that introduced the world to the awe-inspiring resilience of Betty Ross, and shared her story of strength, family, and culture. A school assignment to interview a residential school survivor leads Daniel to Betsy, who tells him her story. Abandoned as a young child, Betsy was soon adopted into a loving family. A few short years later, at the age of 8, everything changed. Betsy was taken away to a residential school. There she was forced to endure abuse and indignity, but Betsy recalled the words her father spoke to her at Sugar Falls--words that gave her the resilience, strength, and determination to survive. Sugar Falls is based on the true story of Betty Ross, Elder from Cross Lake First Nation. We wish to acknowledge, with the utmost gratitude, Betty's generosity in sharing her story. A portion of the proceeds from the sale of Sugar Falls goes to support the bursary program for The Helen Betty Osborne Memorial Foundation. This 10th-anniversary edition brings David A. Robertson's national bestseller to life in full colour, with a foreword by Senator Murray Sinclair, Chairman of the Truth and Reconciliation Commission of Canada, and a touching afterword from Elder Betty Ross herself.

Founded in 1956, the French psychiatric clinic La Chesnaie is an open and welcoming facility that houses about one hundred people of all ages. It provides traditional forms of care for people with serious mental illness, but it does so in a uniquely supportive environment where patients and caregivers participate equally in the day-to-day operations of the clinic. The driving force of La Chesnaie is the "Club," a nonprofit organization serving as a liaison between the clinic and the outside world. It arranges cultural and recreational outings for the patients as well as activities like concerts and exhibitions that bring the public to La Chesnaie. As a result, days at the clinic are quite lively and never routine. Author Aurélien Ducoudray and illustrator Jeff Pourquié immersed themselves for a time in the culture of La Chesnaie. Like everyone there, including the patients, supervisors, and caregivers, they took part in the daily chores of the clinic, cooking and cleaning. They participated in group events and even led a comics workshop to teach the residents about their craft. The Third Population is the engaging, inspiring, and often poignantly funny result of this project. The Third Population is a sensitive and uncompromising portrayal of daily life in this singular psychiatric health facility where patients are encouraged to build human relationships in spite of the difficulties that mental illness can pose. As the supervisors and caregivers take part in the daily activities of their patients, differences are erased and empathic bonds are formed, with the result that sometimes it is difficult to distinguish the patients from the caregivers.

Three young men -- Flinch, Bryce, and Rupert -- have vandalized their community. They are sent by its Elders to live nine months on the land as part of the circle sentencing process. There, the young men learn to take responsibility for their actions and acquire the humility required to return home. But will they be forgiven for what they have done? Three Feathers explores the power and grace of restorative justice in one Northern Indigenous community and the cultural legacy that can empower future generations.

There's a real village in Germany called Neuerkerode that is operated by people with mental disabilities - the local restaurant, the local bar, the local supermarket. The author spent two years living 3 or 4 days a week there, researching and getting to know its townsfolk, and the result is an empathetic depiction. This graphic novel is told entirely from a developmentally impaired young man's perspective. Noel had always lived with his mother in Berlin, until one day tragedy strikes and he finds himself alone for the first time. A man with a beard tells him he can't stay in the apartment anymore and takes him to a place with so many strangers ? Who can he trust? Who does he like? Who loves him?

This prize-winning book is both an illustrated tour of a Tokyo rarely seen in Japan travel guides and an artist's warm, funny, visually rich, and always entertaining graphic memoir. Florent Chavouet, a young graphic artist, spent six months exploring Tokyo while his girlfriend interned at a company there. Each day he would set forth with a pouch full of color pencils and a sketchpad, and visit different neighborhoods. This stunning book records the city that he got to know during his adventures. It isn't the Tokyo of packaged tours and glossy guidebooks, but a grittier, vibrant place, full of ordinary people going about their daily lives and the scenes and activities that unfold on the streets of a bustling metropolis. Here you find businessmen and businesswomen, hipsters, students, grandmothers, shopkeepers, police officers, and other urban types and tribes in all manner of dress and hairstyles. A temple nestles among skyscrapers; the corner grocery anchors a diverse assortment of dwellings, cafes, and shops--often tangled in electric lines. The artist mixes styles and tags his pictures with wry comments and observations. Realistically rendered advertisements or posters of pop stars contrast with cartoon sketches of iconic objects or droll vignettes, like a housewife walking her pet pig, a Godzilla statue in a local park, and an urban fishing pond that charges 400 yen per half hour. This very personal guide to Tokyo is organized by neighborhood with hand-drawn maps that provide an overview of each neighborhood, but what defines them is what caught the artist's eye and attracted his formidable drawing talent.

Shigeru Mizuki--Japan's grand master of Yokai comics--adapts one of the most important works of supernatural literature into comic book form. The cultural equivalent of Brothers Grimm's fairy tales, Tono Monogatari is a defining text of Japanese folklore and one of the country's most important works of literature. This graphic novel was created during the later stage of Mizuki's career, after he had retired from the daily grind of commercial comics to create personal, lasting works of art. Originally written in 1910 by folklorists and field researchers Kunio Yanagita and Kizen Sasaki, Tono Monogatari celebrates and archives legends from the Tono region. These stories were recorded as Japan's rapid modernization led to the disappearance of traditional culture. This adaptation mingles the original text with autobiography: Mizuki attempts to retrace Yanagita and Sasaki's path, but finds his old body is not quite up to the challenge of following in their footsteps. As Mizuki wanders through Tono he retells some of the most famous legends, manifesting a host of monsters, dragons, and foxes. In the finale, Mizuki meets Yanagita himself and the two sit down to discuss their works.

Madang is an artist and new father who moves to a quiet home in the countryside with his wife and young baby, excited to build a new life full of hope and joy, complete with a garden and even snow. But soon reality sets in and his attention is divided between his growing happy family and his impoverished parents back in Seoul in a dingy basement apartment. With an ailing mother in and out of the hospital and an alcoholic father, Madang struggles to overcome the exhaustion and frustration of trying to be everything all at once: a good son, devoted father, and loving husband. To cope, he finds himself reminiscing about their family meals together, particularly his mother's kimchi, a traditional dish that is prepared by the family and requires months of fermentation. Memories of his mother's glorious cooking--so good it would prompt a young Madang and his brother into song--soothe the family. With her impending death, Madang races to learn her recipes and bring together the three generations at the family table while it's still possible. This is a beautiful and thoughtful meditation on how the kitchen and communal cooking--in the past, present, and future--bind a family together amidst the inevitable.

When the gentler pace and stillness of the countryside replace the roar of the city, but your editor keeps calling. With gorgeously detailed yet minimal art, cartoonist Yeon-Sik Hong explores his move with his wife to a small house atop a rural mountain, replacing the high-rent hubbub of Seoul with the quiet murmur of the country. With their dog, cats, and chickens by their side, the simple life and isolation they so desperately craved proves to present new anxieties. Hong paints a beautiful portrait of the Korean countryside, changing seasons, and the universal relationships humans have with each other as well as nature, both of which are sometimes frustrating but always rewarding. Uncomfortably Happily is translated by American cartoonist Hellen Jo from the acclaimed Manhwa Today award-winning Korean edition.

Keum Suk Gendry-Kim was an adult when her mother revealed a family secret: She had been separated from her sister during the Korean War. It's not an uncommon story--the peninsula was split across the 38th parallel, dividing one country into two. As many fled violence in the north, not everyone was able to make it south. Her mother's story inspired Gendry-Kim to begin interviewing her and other Koreans separated by the war; that research fueled a deeply resonant graphic novel. The Waiting is the fictional story of Gwija, told by her novelist daughter Jina. When Gwija was 17 years old, after hearing that the Japanese were seizing unmarried girls, her family married her in a hurry to a man she didn't know. Japan fell, Korea gained its independence, and the couple started a family. But peace didn't come. The young family of four fled south. On the road, while breastfeeding and changing her daughter, Gwija was separated from her husband and son. Then seventy years passed. Seventy years of waiting. Gwija is now an elderly woman and Jina can't stop thinking about the promise she made to help find her brother.

As a second-generation Pakistani immigrant living in East London, Sabba Khan paints a vivid snapshot of contemporary British Asian life and investigates the complex shifts experienced by different generations within immigrant communities, creating an uplifting and universal story that crosses borders and decades. Race, gender, and class are explored in a compelling personal narrative creating a strong feminist message of self-reflection and empowerment which is illuminated in stunning artwork.

To new mother Sachiko Azuma, her baby boy is the light of her life. Accordingly, she names him Hikaru, Japanese of 'to be bright.' Eager to raise her son, Sachiko gradually begins to notice that Hikaru seems a bit different from other children. He is reluctant to be held or hugged, and his growth and development appear slow. Sachiko's suspicions are confirmed when it is suggested that Hikaru, at a year-and-a-half, may be deaf. A specialist, however, reaches a different diagnosis: autism.

Sachiko and Masato Azuma have overcome numerous obstacles in dealing with their firstborn son Hikaru's autism. Having saved their marriage from ending in ruins, the young couple has welcomed a healthy baby girl, Kanon, into their tight-knit family. But with the obvious differences between Hikaru's and Kanon's developmental abilities, it becomes apparent that social prejudices against Hikaru's disability are never far away.