It looks like you're using Internet Explorer 11 or older. This website works best with modern browsers such as the latest versions of Chrome, Firefox, Safari, and Edge. If you continue with this browser, you may see unexpected results.
Based on an 1876 court transcript of a West African woman named Abina, who was wrongfully enslaved and took her case to court. The story of Abina Mansah - a woman "without history" who was wrongfully enslaved, escaped to British-controlled territory, and then took her former master to court - takes place in the complex world of the Gold Coast at the onset of late nineteenth-century colonialism. Parts II-V provide detailed historical context for the story, a reading guide that reconstructs and deconstructs the methods used to interpret the story, and strategies for using Abina in various classroom settings. Focusing on such important themes as the relationship between slavery and gender in pre-colonial Akan society, the role of marriage in Abina's experience, colonial paternalism, and the meaning of cloth and beads in her story, this section also includes a debate on whether or not Abina was a slave, with contributions by three award-winning scholars - Antoinette Burton, Sandra Greene, and Kwasi Konadu - each working from different perspectives.
An independent kingdom of runaway slaves founded in the late 16th century, Angola Janga was a beacon of freedom in a land plagued with oppression. In stark black ink and chiaroscuro panel compositions, D'Salete brings history to life: the painful stories of fugitive slaves on the run, the brutal raids by Portuguese colonists, and the tense power struggles within this precarious kingdom. At turns heartbreaking and empowering, Angola Janga sheds light on a long-overlooked moment of resistance against oppression.
Meet Charlie Chan Hock Chye. Now in his early 70s as he looks back on his career, Chan has spent a lifetime making comics in his native Singapore since he was a boy of 16, in 1954. The artist doubles here as both the narrator and the subject matter, as his life story parallels the changes in Singapore over five decades since the war. The evolution of his artwork mirrors the evolution of both his homeland and the comic book medium itself. The myriad art styles employed by Liew go beyond deft sleight-of-hand and actually inform the narrative in a thoroughly ingenious and engaging way. While all the detail about the formation of the Singapore government adheres meticulously to the facts, the reader is ultimately left wondering whether or not Charlie Chan Hock Chye himself is real or a construct. And given the subject at hand, that quandary only adds to the themes raised in this enthralling graphic novel.
In China in 1898 bands of foreign missionaries and soldiers roam the countryside, bullying and robbing Chinese peasants. Little Bao has had enough: harnessing the powers of ancient Chinese gods, he recruits an army of Boxers--commoners trained in kung fu who fight to free China from "foreign devils."
Persepolis is the story of Marjane Satrapi's childhood and coming of age within a large and loving family in Tehran during the Islamic Revolution; of the contradictions between private life and public life in a country plagued by political upheaval; of her high school years in Vienna facing the trails of adolescence far from her family; of her homecoming--both sweet and terrible; and, finally, of her self-imposed exile from her beloved homeland.
Someone is committing barbarous murders throughout Barcelona, focusing on locations designed by renowned visionary architect Antoni Gaudi. The police have no clues, but a young woman is thrust into the investigation by a man resembling the late Gaudi himself, led to the scenes of the crimes before they even occur... could be a precognizant ghost? A visual tour through the beautiful streets of Barcelona on a true edge-of-your-seat thriller written by El Torres and illustrated by Jesus Alonso, both natives of the city.
On March 11, 2011, Japan suffered the largest earthquake in its modern history. The 9.0-magnitude quake threw up a devastating tsunami that wiped away entire towns, and caused, in the months afterward, three nuclear meltdowns at the Fukushima Daiichi Nuclear Plant. Altogether, it was the costliest natural disaster in human history. This is not the story of that disaster. This is the story of a man who took a job. Kazuto Tatsuta was an amateur artist who signed onto the dangerous task of cleaning up the Fukushima Daiichi Nuclear Plant, which the workers came to call "Ichi-F." This is the story of that challenging work, of the trials faced by the local citizens, and of the unique camaraderie that built up between the mostly blue-collar workers who had to face the devious and invisible threat of radiation on a daily basis. After six months, Tatsuta's body had absorbed the maximum annual dose of radiation allowed by regulations, and he was forced to take a break from the work crew, giving him the time to create this unprecedented, unauthorized, award-winning view of daily life at Fukushima Daiichi.
In her first book of comic strips, Emma reflects on social and feminist issues by means of simple line drawings, dissecting the mental load, i.e. all that invisible and unpaid organising, list-making and planning women do to manage their lives, and the lives of their family members. In her strips Emma deals with themes ranging from maternity leave (it is not a vacation!), domestic violence, the clitoris, the violence of the medical world on women during childbirth, and other feminist issues, and she does so in a straightforward way that is both hilarious and deadly serious. Emma's comics also address the everyday outrages and absurdities of immigrant rights, income equality, and police violence.
Uses a comic book format to shed light on the complex and emotionally-charged situation of Palestinian Arabs, exploring the lives of Israeli soldiers, Palestinian refugees, and children in the Occupied Territories.
In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging. Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran. As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up--here compounded by Marjane's status as an outsider both abroad and at home--it is raw, honest, and incredibly illuminating.
Born in Mexico City in 1942, Graciela Iturbide wants to be a writer, but her conservative family has a different idea. Although she initially follows their wishes, she soon grows restless. After tragedy strikes, she turns to photography to better understand the world. The photographic journey she embarks on takes her throughout Mexico and around the globe, introducing her to fascinating people and cultures, and eventually bringing her success and fame. With more than two dozen photographs by Iturbide herself, Photographic explores the questions of what it means to become an artist.
Run for It--a starkly stunning graphic novel by internationally acclaimed illustrator Marcelo d'Salete--is one of the first literary and artistic efforts to confront Brazil's hidden history of slavery. Seen through the eyes of its victims, Run for It tells of ordinary slaves who rebel against their masters. Run for It's vivid illustrations and magical realism engage the reader's poetic imagination through stories of individual suffering caused by the horrors of slavery. Originally published in Brazil--where it was nominated for three of the country's most prestigious comics awards--Run for It has received rave reviews worldwide. These intense tales offer a tragic and gripping portrait of one of history's darkest corners. It's hard to look away.
China, 1898. An unwanted and unwelcome fourth daughter, Four-Girl isn't even given a proper name by her family when she's born. She finally finds friendship-- and a name, Vibiana -- in the most unlikely of places: Christianity. But China is a dangerous place for Christians. The Boxer Rebellion is in full swing, and bands of young men roam the countryside, murdering Westerners and Chinese Christians alike. Torn between her nation and her Christian friends, Vibiana will have to decide where her true loyalties lie-- and whether she is willing to die for her faith.
Fantagraphics Books is proud to introduce American readers to more than 30 artists working on the cutting edge of the form. Spanish Fever is an anthology showcasing the best of the new wave of art comics from a country with one of the strongest cartoon traditions in Europe. It includes the work of masters of the form such as Paco Roca, Miguel Gallardo, David Rubín and Miguel Ángel Martín as well as newcomers like José Domingo, Anna Galvañ, Álvaro Ortiz and Sergi Puyol.
This prize-winning book is both an illustrated tour of a Tokyo rarely seen in Japan travel guides and an artist's warm, funny, visually rich, and always entertaining graphic memoir. Florent Chavouet, a young graphic artist, spent six months exploring Tokyo while his girlfriend interned at a company there. Each day he would set forth with a pouch full of color pencils and a sketchpad, and visit different neighborhoods. This stunning book records the city that he got to know during his adventures. It isn't the Tokyo of packaged tours and glossy guidebooks, but a grittier, vibrant place, full of ordinary people going about their daily lives and the scenes and activities that unfold on the streets of a bustling metropolis. Here you find businessmen and businesswomen, hipsters, students, grandmothers, shopkeepers, police officers, and other urban types and tribes in all manner of dress and hairstyles. A temple nestles among skyscrapers; the corner grocery anchors a diverse assortment of dwellings, cafes, and shops--often tangled in electric lines. The artist mixes styles and tags his pictures with wry comments and observations. Realistically rendered advertisements or posters of pop stars contrast with cartoon sketches of iconic objects or droll vignettes, like a housewife walking her pet pig, a Godzilla statue in a local park, and an urban fishing pond that charges 400 yen per half hour. This very personal guide to Tokyo is organized by neighborhood with hand-drawn maps that provide an overview of each neighborhood, but what defines them is what caught the artist's eye and attracted his formidable drawing talent.
To new mother Sachiko Azuma, her baby boy is the light of her life. Accordingly, she names him Hikaru, Japanese of 'to be bright.' Eager to raise her son, Sachiko gradually begins to notice that Hikaru seems a bit different from other children. He is reluctant to be held or hugged, and his growth and development appear slow. Sachiko's suspicions are confirmed when it is suggested that Hikaru, at a year-and-a-half, may be deaf. A specialist, however, reaches a different diagnosis: autism.
Sachiko and Masato Azuma have overcome numerous obstacles in dealing with their firstborn son Hikaru's autism. Having saved their marriage from ending in ruins, the young couple has welcomed a healthy baby girl, Kanon, into their tight-knit family. But with the obvious differences between Hikaru's and Kanon's developmental abilities, it becomes apparent that social prejudices against Hikaru's disability are never far away.