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Referencing a classic Haida oral narrative, this stunning full-colour graphic novel documents the tragic story of a leader so blinded by revenge that he leads his community to the brink of war and destruction. Red is the prideful leader of a small village in the islands off the northwest coast of British Columbia. His sister was abducted years ago by a band of raiders. When news comes that she has been spotted in a nearby village, Red sets out to rescue his sister and exact revenge on her captors.
By merging works of contemporary North American Indian literature with imaginative illustrations by U.S. and Canadian artists, Sovereign Traces, Volume 1: Not (Just) (An)Other provides a unique, extended possibility for audiences to engage with works by prominent authors such as Stephen Graham Jones, Gordon Henry Jr., Gerald Vizenor, Warren Cariou, Niigaanwewidam James Sinclair, Louise Erdrich, Joy Harjo, Richard Van Camp, and Gwen Westerman. Through this exciting medium, Sovereign Traces beckons to audiences that are both new to and familiar with Native writing, allowing for possibilities for reimagined readings along the way. Readers will find works of graphic literature, including both poetry and fiction, newly adapted from writing by American Indians and First Peoples.
Through the works of North American Indigenous writers and illustrators, Sovereign Traces, Volume 2: Relational Constellation provides a unique opportunity for audiences to hear from a myriad of American Indian and First Nations voices on the meaning of love. Here readers will find works of graphic literature, including both poetry and fiction, that explore how celestial bodies build and share creative intimacies.
Comics at Marist with Tribal Nation/Indigenous Representation
The comic adventures of an ordinary Reservation boy that eats tainted commodity cheese and gains super powers. Hubert Logan becomes a Reservation Sensation while helping his small Native American tribe.
Super Indian Volume Two contains the further adventures of Hubert Logan, a reservation boy who ate tainted commodity cheese and gained super powers. Hubert becomes Super Indian and fights evil forces that bring danger to the Leaning Oak Reservation. Super Indian and his sidekicks Mega Bear and Diogi face the ruthless Blud KwanTum, a vampire who wants to become a full-blood Indian at any cost.
All cultures have tales of the trickster, a crafty creature or being who uses cunning to get food, steal precious possessions, or simply cause mischief. He disrupts the order of things, often humiliating others and sometimes himself. In Native American traditions, the trickster takes many forms, from coyote or rabbit to raccoon or raven. This graphic anthology of Native American trickster tales brings together Native American folklore and the world of comics. More than twenty Native American tales are adapted into comic form. Each story is written by a different Native American storyteller who worked closely with a selected illustrator, a combination that gives each tale a unique and powerful voice and look.
This is the story of a fisherman who suspects a party of raiders is descending upon his island home. When his warnings are not heeded, the man sets out to guard the village on his own, only to find himself caught up in a high-stakes game of kidnap and bluff. All this leads to a final showdown, in which one of the sides must blink first--and the villagers find a surprising way to save face and their home, and avoid bloodshed. Combining traditional Northwest coast and Japanese comic art in Yahgulanaas' own, dizzyingly original mish-mash, War of the Blink is a timeless fable about the bravery it takes to choose peace over war.