Books at Marist About Comics
Adult comics : an introduction by
The first survey of comic books for older readers from the end of the 19th century to the present - taking in pre-Great War titles, the underground of the 1960s, fan-dom in the 1970s and 1980s and today's boom including graphic novels and Viz.
Call Number: Circulating Books PN6710 .S23 2010ISBN: 9780415044189Publication Date: 2010
All of the Marvels: A Journey to the Ends of the Biggest Story Ever Told by
The first-ever full reckoning with Marvel Comics' interconnected, half-million-page story, a revelatory guide to the 'epic of epics'--and to the past 60 years of American culture--from a beloved authority on the subject who read all 27,000+ Marvel superhero comics and lived to tell the tale. The superhero comic books that Marvel Comics has published since 1961 are, Douglas Wolk notes, the longest continuous, self-contained work of fiction ever created: over half a million pages to date, and growing. The Marvel story is a gigantic mountain, smack in the middle of contemporary culture. Thousands of writers and artists have contributed to it. Every schoolchild recognizes its protagonists: Spider-Man, the Avengers, the X-Men. 18 of the 100 highest-grossing movies of all time are directly based on parts of it. And not even the people telling the story have read the whole thing--nobody's supposed to. So, of course, that's what Wolk did: he read all 27,000 comics that make up the Marvel universe thus far, from Alpha Flight to Omega the Unknown. And then he made sense of it: seeing into the ever-expanding story, in its parts and as a coherent whole, and seeing through it, as a prism through which to view the landscape of American culture. In Wolk's hands, the mammoth Marvel narrative becomes a funhouse-mirror history of the past 60 years, from the atomic night-terrors of the Cold War to the technocracy and political division of the present day--a boisterous, tragicomic, magnificently filigreed epic about power and ethics, set in a world transformed by wonders. As a work of cultural exegesis, this is sneakily significant, even a landmark; it's also ludicrously fun. Looking over close to sixty years of Marvel's comics, Wolk sees fascinating patterns--the rise and fall of particular cultural aspirations, and of the storytelling modes that conveyed them. He observes the Marvel story's progressive visions and its painful stereotypes, its patches of woeful hackwork and stretches of luminous creativity, and the way they all feed into a potent cosmology that echoes our deepest hopes and fears. This is a huge treat for Marvel fans, but it's also a revelation for readers who don't know Doctor Strange from Doctor Doom. Here, truly, are all of the marvels.
Call Number: Circulating Books- 1st Floor PN6725 .W64 2021ISBN: 9780735222168Publication Date: 2021
Approaches to Teaching Bechdel's Fun Home by
Alison Bechdel's Fun Home: A Family Tragicomic has quickly joined the ranks of celebrated literary graphic novels. Set in part at a family-run funeral home, the book explores Alison's complicated relationship with her father, a closeted gay man. Amid the tensions of her home life, Alison discovers her own lesbian sexuality and her talent for drawing. The coming-of-age story and graphic format appeal to students. However, the book's nonlinear structure, frank representations of sexuality and death, and intertextuality with modernist novels, Greek myths, and other works present challenges in the classroom. This volume offers strategies for teaching Fun Home in a variety of courses, including literature, women's and gender studies, art, and education. Part 1, "Materials," outlines the text's literary, historical, and theoretical allusions. The essays of part 2, "Approaches," emphasize the work's genres, including autobiography and graphic narrative, as well as its psychological dimensions, including trauma, disability, and queer identity. The essays give options for reading Fun Home along with Bechdel's letters and drafts; her long-running comic strip, Dykes to Watch Out For; the Broadway musical adaptation of the book; and other stories of LGBTQ lives.
Call Number: Circulating Books PN6727.B3757 F863 2018ISBN: 9781603293587Publication Date: 2018
Avengers assemble! : critical perspectives on the Marvel Cinematic Universe by
We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium.
Call Number: Circulating Books - 1st Floor PN6725 .M37 2018ISBN: 9780231186254Publication Date: 2018
Batman : the Complete History by
Following on the heels of Superman: The Complete History, author Les Daniels spotlights another famed crime fighterone who is perhaps even more popular than Superman. Batman, the Caped Crusader, the Dark Knightwhatever name he goes by, he is recognized by millions of fans as the most enigmatic and complex character in the super hero pantheon. Driven by personal demons, Bruce Wayne has loosed his shadow self on the villainy of Gotham City for 60 years. In celebration of this anniversary, Chronicle Books is proud to offer the first definitive account of Batman's heroic exploits. Les Daniels covers it allfrom Batman's creation and runaway success in 1939, to the campy antics of the Adam West TV show, to the emergence of Frank Miller's very disturbed and very dark Dark Knight, to the billion-dollar movie franchise and beyond. Illustrated with archival comic book art and rare Batman paraphernalia, Batman: The Complete History also includes a comic book story colored by animator Bruce Timm especially for this book. Designed by Batman fan Chip Kidd, this history will please the hardcore fans, and win many new ones. Batman and all related characters, names and indicia are trademarks of DC Comics Copyright 1999
Call Number: Circulating Books PN6728.B36 D36 1999ISBN: 9780811824705Publication Date: 1999
The comic book heroes : from the silver age to the present by
The first history of modern costumed-hero comic books, from the start of the Silver Age in 1956 up to today. Focusing on DC and Marvel Comics, the story begins with the efforts of DC to revitalize such Golden Age heroes as the Flash, Superman, and Green Lantern in the wake of the anti-comic furor of the early 1950s. The authors cover the science fiction rage of the late 1950s, the birth of the experimental Marvel Comics Group in 1961, the emergence of such classic Marvel characters as the Fantastic Four and Spider-Man, the "camp" craze set off by the "Batman" TV show in 1966, and the socially conscious and politically relevant comics of the early 1970s. Later chapters describe the slump of the mid-1970s, as the medium lost touch with its young readers, followed by the comics' resurgence of the 1980s, as many new companies help DC and Marvel to extend the boundaries of the field with innovation, daring, and a new sophistication. Factually thorough and written in a lively, narrative style, this history includes behind-the-scenes glimpses at the men who wrote, drew, and published the comics, the impact of their creations on the fans, and critical assessments of the works themselves. Illustrated throughout with examples of comic book art, The Comic Book Heroes will inform and entertain both the hardcore fan and the casual reader of this most popular of American mediums.
Call Number: Circulating Books PN6725 .J3 1985ISBN: 0517554402Publication Date: 1986
The Comic Book in America : An Illustrated History by
Traces the development of the comic book, looks at publishers and genres, and discusses industry trends.
Call Number: Reference Collection - 2nd Floor. Library use only. PN6725 .B38 1989ISBN: 0878336591Publication Date: 1989
Comic book nation : the transformation of youth culture in America by
As American as jazz or rock and roll, comic books have been central in the nation's popular culture since Superman's 1938 debut in Action Comics #1. Selling in the millions each year for the past six decades, comic books have figured prominently in the childhoods of most Americans alive today. In Comic Book Nation, Bradford W. Wright offers an engaging, illuminating, and often provocative history of the comic book industry within the context of twentieth-century American society. From Batman's Depression-era battles against corrupt local politicians and Captain America's one-man war against Nazi Germany to Iron Man's Cold War exploits in Vietnam and Spider-Man's confrontations with student protestors and drug use in the early 1970s, comic books have continually reflected the national mood, as Wright's imaginative reading of thousands of titles from the 1930s to the 1980s makes clear. In every genre--superhero, war, romance, crime, and horror comic books--Wright finds that writers and illustrators used the medium to address a variety of serious issues, including racism, economic injustice, fascism, the threat of nuclear war, drug abuse, and teenage alienation. At the same time, xenophobic wartime series proved that comic books could be as reactionary as any medium. Wright's lively study also focuses on the role comic books played in transforming children and adolescents into consumers; the industry's ingenious efforts to market their products to legions of young but savvy fans; the efforts of parents, politicians, religious organizations, civic groups, and child psychologists like Dr. Fredric Wertham (whose 1954 book Seduction of the Innocent, a salacious exposé of the medium's violence and sexual content, led to U.S. Senate hearings) to link juvenile delinquency to comic books and impose censorship on the industry; and the changing economics of comic book publishing over the course of the century. For the paperback edition, Wright has written a new postscript that details industry developments in the late 1990s and the response of comic artists to the tragedy of 9/11. Comic Book Nation is at once a serious study of popular culture and an entertaining look at an enduring American art form.
Call Number: Circulating Books PN6725 .W74 2001ISBN: 080186514XPublication Date: 2001
Comic books as history : the narrative art of Jack Jackson, Art Spiegelman, and Harvey Pekar by
This well-focused and perceptive analysis of a phenomenon in our popular culture--the new respectability of the comic book form--argues that the comics medium has a productive tradition of telling true stories with grace and economy. It details vividly the outburst of underground comics in the late 1960s and '70s, whose cadre of artistically gifted creators were committed to writing comic books for adults, an audience they made aware that comic books can offer narratives of great power and technical sophistication. In this study, Joseph Witek examines the rise of the comic book to a position of importance in modern culture and assesses its ideological and historical implications. Jack Jackson, Art Spiegelman, and Harvey Pekar are among the creators whom Witek credits for the emergence of the comic book as a serious artistic medium. As American codes of ethics, aesthetics, and semiotics have evolved, so too has the comic book as a mode for presenting the weightier matters of history. It is safe to claim that comic books are not just for kids anymore.
Call Number: Circulating Books PN6725 .W58 1989ISBN: 0878054057Publication Date: 1989
Comic Book Women by
The history of comics has centered almost exclusively on men. Comics historians largely describe the medium as one built by men telling tales about male protagonists, neglecting the many ways in which women fought for legitimacy on the page and in publishers' studios. Despite this male-dominated focus, women played vital roles in the early history of comics. The story of how comic books were born and how they evolved changes dramatically when women like June Tarpé Mills and Lily Renée are placed at the center rather than at the margins of this history, and when characters such as the Black Cat, Patsy Walker, and Señorita Rio are analyzed. Comic Book Women offers a feminist history of the Golden Age of comics, revising our understanding of how numerous genres emerged and upending narratives of how male auteurs built their careers. Considering issues of race, gender, and sexuality, the authors examine crime, horror, jungle, romance, science fiction, superhero, and Western comics to unpack the cultural and industrial consequences of how women were represented across a wide range of titles by publishers like DC, Timely, Fiction House, and others. This revisionist history reclaims the forgotten work done by women in the comics industry and reinserts female creators and characters into the canon of comics history.
Call Number: Circulating Books PN6725 .B78 2022ISBN: 9781477324110Publication Date: 2022
Comics and critical librarianship : reframing the narrative in academic libraries by
Highlights the use and focus of comics by librarians and library workers who practice critical librarianship.
Call Number: Circulating Books Z688.C64 C66 2019ISBN: 9781634000802Publication Date: 2019
Comics and Graphic Novels by
Providing an overview of the dynamic field of comics and graphic novels for students and researchers, this Essential Guide contextualises the major research trends, debates and ideas that have emerged in Comics Studies over the past decades. Interdisciplinary and international in its scope, the critical approaches on offer spread across a wide range of strands, from the formal and the ideological to the historical, literary and cultural. Its concise chapters provide accessible introductions to comics methodologies, comics histories and cultures across the world, high-profile creators and titles, insights from audience and fan studies, and important themes and genres, such as autobiography and superheroes. It also surveys the alternative and small press alongside general reference works and textbooks on comics. Each chapter is complemented by list of key reference works.
Call Number: Ebook Central Perpetual, DDA and Subscription TitlesISBN: 9781350336094Publication Date: 2022
Comics and the Origins of Manga by
Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan's avid importation of Western technology and popular culture in the early twentieth century. Comics and the Origins of Manga reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today. By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform.
Call Number: Circulating Books PN6790.J3 E96 2022ISBN: 9781978827769Publication Date: 2021
Comics As Culture by
Comics and cartoons are ingrained in American life. One critic has called comic books "crude, unimaginative, banal, vulgar, ultimately corrupting." They have been regarded with considerable suspicion by parents, educators, psychiatrists, and moral reformers. They have been investigated by governmental committees and subjected to severe censorship. Yet more than 200 million copies are sold annually. Upon even casual examination BLONDIE, ARCHIE, MARY WORTH, THE WIZARD OF ID, and SHOE--among the many comic strips--will be found to support some commonly accepted notion or standard of society. Why do comics both amuse and arouse controversy? Here is an attempt at an answer in a sharp-eyed comic-book lover's probing look at this step-child genre. He finds comics both loved and hated, relished and sneered at. In their relying on dramatic conventions of character, dialogue, scene, gesture, compressed time, and stage devices, he finds the comics close to the drama but probably closer kin to the movies.
Call Number: Circulating Books PN6725 .I54 1990ISBN: 0878054081Publication Date: 1990
Comics as Philosophy by
European (especially French) scholars have dealt with philosophy and comics since the 1960s, leaving one to wonder why American researchers have shied away from the topic. McLaughlin (philosophy, Thompson Rivers Univ., British Columbia) resolves this dilemma with this book, which is welcome though it leaves much to be desired. The 11 essays collected here use comic books and various branches of philosophical inquiry to address specific questions: What is the good? What is the truth? Contributors address such topics as race, 9/11, deconstruction of the superhero, political philosophy in Tintin, existentialism in Daniel Clowes' Ghost World, ecocriticism in Paul Chadwick's "Concrete" series, ethical aspects of the postwar comic book controversy, and the meaning of life from Platonian and Spider-Man perspectives. The chapters by scholars trained in philosophy (e.g., Jeremy Barris, Iain Thompson, Laura and Paul Canis, and Kevin de Laplante) are particularly useful. Among the book's shortcomings: the lack of a clear-cut definition of philosophy as a guiding force, the limited selection of works treated (many comic books lend themselves more to philosophical scrutiny than some featured here), and the omission of comic strips as a subject.
Call Number: Circulating Books PN6712 .C58 2005ISBN: 1578067944Publication Date: 2005
The Comics before 1945 by
A comprehensive survey of fifty years of comics explores how such characters as Buster Brown, Krazy Kat, and Li'l Abner reflected societal attitudes and changes in the first half of the twentieth century, providing in-depth biographies of twenty-one influential comic creators.
Call Number: Oversize Circulating Books - 1st Floor PN6725 .W23 2004ISBN: 0810949709Publication Date: 2004
The Comics since 1945 by
Organized by decade, with biographical profiles and desciptions of different genres and themes, The Comics forms a graphic survey of American culture since 1945.
Call Number: Oversize Circulating Books - 1st Floor PN6725 .W25 2002ISBN: 0810934817Publication Date: 2002
Dangerous curves : action heroines, gender, fetishism, and popular culture by
Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular Culture addresses the conflicted meanings associated with the figure of the action heroine as she has evolved in various media forms since the late 1980s. Jeffrey A. Brown discusses this immensely popular character type as an example of, and challenge to, existing theories about gender as a performance identity. Her assumption of heroic masculine traits combined with her sexualized physical depiction demonstrates the ambiguous nature of traditional gender expectations and indicates a growing awareness of more aggressive and violent roles for women. The excessive sexual fetishism of action heroines is a central theme throughout. The topic is analyzed as an insight into the transgressive image of the dominatrix, as a refection of the shift in popular feminism from second-wave politics to third-wave and post-feminist pleasures, and as a form of patriarchal backlash that facilitates a masculine fantasy of controlling strong female characters. Brown interprets the action heroine as a representation of changing gender dynamics that balances the sexual objectification of women with progressive models of female strength. While the primary focus of this study is the action heroine as represented in Hollywood film and television, the book also includes the action heroine's emergence in contemporary popular literature, comic books, cartoons, and video games.
Call Number: Circulating Books PN1995.9.W6 B76 2011ISBN: 9781604737141Publication Date: 2011
DC Comics: a Visual History by
Updated and expanded edition, with 16 new pages to cover 2010-2014. Featuring a new slipcase design along with two NEW prints packed inside. Trace DC's fascinating story: the company's beginnings as National Allied Publications in the 1934, and its subsequent change to Detective Comics, Inc. in 1937. The book details all the major DC publishing landmarks and more, displayed clearly, month by month. Highlighting the debuts of iconic super heroes like Superman and Batman, the geniuses that invented them, and the real-life events, like the Vietnam War, the atom bomb, and the Space Race, that shaped the atmosphere of the times, DC Comics: A Visual History follows the characters' foray into the real world through TV series and blockbuster movies. Foreword by Paul Levitz, former president of DC Comics (2002 - 2009.)
Call Number: Circulating Books PN6725 .D43 2014ISBN: 9781465433848Publication Date: 2014
Demanding respect : the evolution of the American comic book by
How is it that comic books-the once reviled form of lowbrow popular culture-are now the rage for Hollywood blockbusters, the basis for bestselling video games, and the inspiration for literary graphic novels? InDemanding Respect, Paul Lopes immerses himself in the discourse and practices of this art and subculture to provide a social history of the comic book over the last 75 years. Lopes analyzes the cultural production, reception, and consumption of American comic books throughout history. He charts the rise of superheroes, the proliferation of serials, and the emergence of graphic novels.Demanding Respectexplores how comic books born in the 1930s were perceived as a "menace" in the 1950s, only to later become collectors' items and eventually "hip" fiction in the 1980s through today. Using a theoretical framework to examine the construction of comic book culture-the artists, publishers, readers and fans-Lopes explains how and why comic books have captured the public's imagination and gained a fanatic cult following.
Call Number: Circulating Books PN6725 .L67 2009ISBN: 9781592134427Publication Date: 2009
Disability in Comic Books and Graphic Narratives by
Disability in Comic Books and Graphic Narratives invites readers to consider both canonical and alternative graphic representations of disability. Some chapters focus on comic superheroes, from lesser-known protagonists like Cyborg and Helen Killer to classics such as Batgirl and Batman; many more explore the amazing range of graphic narratives revolving around disability, covering famous names such as Alison Bechdel and Chris Ware, as well as less familiar artists like Keiko Tobe and Georgia Webber. The volume also offers a broad spectrum of represented disabilities: amputation, autism, blindness, deafness, depression, Huntington's, multiple sclerosis, obsessive-compulsive disorder, speech impairment, and spinal injury. A number of the essays collected here show how comics continue to implicate themselves in the objectification and marginalization of persons with disabilities, perpetuating stale stereotypes and stigmas. At the same time, others stress how this medium simultaneously offers unique potential for transforming our understanding of disability in truly profound ways.
Call Number: Circulating Books PN6714 .D57 2016ISBN: 9781137501103Publication Date: 2016
Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero by
Jewish identity is historically about the push and pull toward and away from that very identity. As immigrants with a history of persecution, Jews came to America with their heads down but their eyes open, finding themselves presented with unprecedented freedom and opportunity." "Still, there were limits, spoken and unspoken, which often pushed Jews into fields with a hint of "second-class-ness" to them. Among these was the comic-book industry, until then minus the breakout hit that would put the medium on the map. That phenomenon would be the superhero - specifically Superman - and the flood of others that followed, including Batman and Spider-Man." "In Disguised as Clark Kent, Danny Fingeroth explores how the creators' Jewish backgrounds helped make superheroes the most familiar popular-culture icons of all, far beyond the comic books that spawned them - on TV, in movies, in electronic media - and in our very ideas about what it means to be a hero.
Call Number: Circulating Books - 1st Floor PN6725 .F56 2007ISBN: 0826417671Publication Date: 2007
Drawn to purpose : American women illustrators and cartoonists by
Published in partnership with the Library of Congress, Drawn to Purpose: American Women Illustrators and Cartoonists presents an overarching survey of women in American illustration, from the late nineteenth into the twenty-first century. Martha H. Kennedy brings special attention to forms that have heretofore received scant notice--cover designs, editorial illustrations, and political cartoons--and reveals the contributions of acclaimed cartoonists and illustrators, along with many whose work has been overlooked. Featuring over 250 color illustrations, including eye-catching original art from the collections of the Library of Congress, Drawn to Purpose provides insight into the personal and professional experiences of eighty women who created these works. Included are artists Roz Chast, Lynda Barry, Lynn Johnston, and Jillian Tamaki. The artists' stories, shaped by their access to artistic training, the impact of marriage and children on careers, and experiences of gender bias in the marketplace, serve as vivid reminders of social change during a period in which the roles and interests of women broadened from the private to the public sphere.
Call Number: Circulating Books NC975 .K46 2018ISBN: 9781496815927Publication Date: 2018
Eisner/Miller : a one-on-one interview by
Culture-curious readers and life-long fans of comics are invited to read along as two of the medium's greatest contributors - legendary innovator and godfather of sequential art Will Eisner, and the modern master of cinematic comics storytelling, Frank Miller, discuss the ins-and-outs of this compelling and often controversial art form. Eisner/Miller is widely illustrated and features rare, behind-the-scenes photos of Eisner, Miller, and other notable creators.
Call Number: Circulating Books PN6710 .E56 2005ISBN: 9781569717554Publication Date: 2005
The Encyclopedia of American Comics by
Over 600 alphabetical entries to comic strips, comic books, the cartoon characters, the artists who created them, and the syndicates that license them. Also includes a history of the industry.
Call Number: Reference Collection - 2nd Floor. Library use only. PN6725 .E64 1990ISBN: 0816018529Publication Date: 1990
Gods' man, Madman's drum, Wild pilgrimage by
From the eve of the Great Depression to the onset of World War II, Lyn Ward, America's first great graphic novelist, bore witness to the roiling, dizzying national scene as both a master printmaker and a socially committed storyteller. His medium of expression, the wordless "novel in woodcuts," was his alone in the United States, and he quickly brought it from bold iconic infancy to a still unrivalled richness of drama, characterization, imagery, and technique.
In this, the first of two volumes collecting all his woodcut novels, The Library of America brings together Ward's earliest books, published when the artist was still in his twenties. Gods' man (1929), the audaciously ambitious work that made Ward's reputation, is a modern morality play, an allegory of the deadly bargain a striving young artist often makes with life. Madman's drum (1930), a multigenerational saga worthy of Faulkner, traces the legacy of violence haunting a family whose stock-in-trade is human souls. Wild Pilgrimage (1932), perhaps the most accomplished of these early books, is a study in the brutalization of an American factory worker whose heart can still respond to beauty but whose mind is twisted in rage against the system and its shackles.
Call Number: Circulating Books NE1112.W37 A4 2010ISBN: 9781598530803Publication Date: 2010
The gospel according to Peanuts by
Over 600 alphabetical entries to comic strips, comic books, the cartoon characters, the artists who created them, and the syndicates that license them. Also includes a history of the industry.
Call Number: Circulating Books NC1429.S4387 S5 1965Publication Date: 1965
Graphic novels : everything you need to know by
Graphic novels, long stories told in comics format, have enjoyed the fastest-growing sales of any category of book in the U.S. over the last four years. This modern renaissance of comics has produced a library of substantial works, whose subjects are not confined to superheroes or fantasy but are as varied and sophisticated as the best films and literature. Graphic Novels presents an accessible, entertaining, and highly illustrated guide to the diversity of contemporary comics in book form. Featuring striking graphics and explanatory extracts from a wide range of graphic novels, the book examines the specific language of the comics medium; the history and pioneers of the form; recent masterpieces from Art Spiegelman's Maus to Chris Ware's Jimmy Corrigan; the impact of Japanese manga and European albums translated into English; how artists have overcome prejudices towards the genre; and the ambitious range of themes and issues artists are addressing, including childhood, war and survival, politics, the future, sexuality, and the supernatural.
Call Number: Circulating Books PN6710 .G738 2006ISBN: 0060824255Publication Date: 2005
In the studio : visits with contemporary cartoonists by
These studio visits with some of today’s most popular and innovative comic artists present an unparalleled look at the cutting edge of the comic medium. The artists, some of whom rarely grant interviews, offer insights into the creative process, their influences and personal sources of inspiration, and the history of comics. The interviews amount to private gallery tours, with the artists commenting, now thoughtfully, now passionately, on their own work as well as the works of others. The book is generously illustrated with full-color reproductions of the artists’ works, including some that have been published and others not originally intended for publication, such as sketchbooks and personal projects. Additional illustrations show behind-the-scenes working processes of the cartoonists and particular works by others that have influenced or inspired them. Through the eyes of these artists, we see with a new clarity the achievement of contemporary cartoonists and the extraordinary possibilities of comic art. Extensive interviews with: Ivan Brunetti, Charles Burns, Daniel Clowes, Robert Crumb, Jaime Hernandez, Gary Panter, Seth, Art Spiegelman, Chris Ware
Call Number: Circulating Books NC1426 .H54 2006ISBN: 9780300110166Publication Date: 2006
Books at Marist About Comics
Japanese visual culture : explorations in the world of manga and anime by
Born of Japan's cultural encounter with Western entertainment media, manga (comic books or graphic novels) and anime (animated films) are two of the most universally recognized forms of contemporary mass culture. Because they tell stories through visual imagery, they vault over language barriers. Well suited to electronic transmission and distributed by Japan's globalized culture industry, they have become a powerful force in both the mediascape and the marketplace.This volume brings together an international group of scholars from many specialties to probe the richness and subtleties of these deceptively simple cultural forms. The contributors explore the historical, cultural, sociological, and religious dimensions of manga and anime, and examine specific sub-genres, artists, and stylistics. The book also addresses such topics as spirituality, the use of visual culture by Japanese new religious movements, Japanese Goth, nostalgia and Japanese pop, "cute" (kawali) subculture and comics for girls, and more. With illustrations throughout, it is a rich source for all scholars and fans of manga and anime as well as students of contemporary mass culture or Japanese culture and civilization.
Call Number: Circulating Books NC1764.5.J3 J37 2008ISBN: 9780765616012Publication Date: 2008
Latinx Comic Book Storytelling : an Odyssey by Interview by
Includes interviews with and full color art by Lalo Alcaraz, José Cabrera, Jaime Crespo, Frank Espinosa, Eric Garcia, Jason González, John González, Raúl Gonzalez the Third, Jaime Hernandez, Javier Hernandez, Andrew Huerta, Alberto Ledesma, Liz Mayorga, Rhode Montijo, Alex Olivas, Daniel Parada, Jimmy Portillo, Jules Rivera, Cristy C. Road, Fernando Rodriguez, Grasiela Rodriguez, Hector Rodriguez, Jason Rodriguez, Octavio Rodriguez, Rafael Rosado, Carlos Saldaña, Wilfred Santiago, Serenity Sersecion, Sam Teer, and Lila Quintero Weaver.
Call Number: Circulating Books PN6710 .A43 2016ISBN: 9781938537929Publication Date: 2016
Latinx Superheroes in Mainstream Comics by
Latinx Superheroes in Mainstream Comics offers the first thorough exploration of Latino/a superheroes in mainstream comic books, TV shows, and movies
Call Number: Circulating Books PN6725 .A37 2017ISBN: 9780816537082Publication Date: 2017
Making Comics by
For more than five years the cartoonist Lynda Barry has been an associate professor in the University of Wisconsin-Madison art department and at the Wisconsin Institute for Discovery, teaching students from all majors, both graduate and undergraduate, how to make comics, how to be creative, how to not think. There is no academic lecture in this classroom. Doodling is enthusiastically encouraged. Making Comics is the follow-up to Barry's bestselling Syllabus and this time she shares all of her comics-making exercises. In a new hand drawn syllabus detailing her creative curriculum, Barry has students drawing themselves as monsters and superheroes, convincing students who think they can't draw that they can, and most important, encouraging them to understand that a daily journal can be anything so long as it is hand drawn.
Call Number: Graphic Novels PN6710 .B26 2019ISBN: 9781770463691Publication Date: 2019
Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels by
Presents instructions for aspiring cartoonists on the art form's key techniques, sharing concise and accessible guidelines on such principles as capturing the human condition through words and images in a minimalist style.
Call Number: Graphic Novels PN6710 .M333 2006ISBN: 9780060780944Publication Date: 2006
Monstrous Women in Comics by
Many studies of the monster & monstrosity have focused on women, & most do so (at least in part) in relation to some type of visual culture. However, few have examined the appearance of monstrous women in comics in particular. Like horror films, sequential art has an abundance of monsters & fantastical beings. No less important to this volume than the sheer abundance of monsters within comics is the fact that they are often marked by gender, race, & disability in complex ways. Each chapter provides a text-critical analysis of a particular (or perhaps several) comic, manga, or graphic novel in order to ask how the monster makes meaning within the text(s) &, what it means for the monster to be coded as a woman.
Call Number: eBookISBN: 1496827678Publication Date: 2020
Of comics and men : a cultural history of American comic books by
Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concise history of the evolution of the comic book form in America; an overview of the distribution and consumption of American comic books, detailing specific controversies such as the creation of the Comics Code in the mid-1950s; and the problematic legitimization of the form that has occurred recently within the academy and in popular discourse. Viewing comic books from a variety of theoretical lenses, Gabilliet shows how seemingly disparate issues--creation, production, and reception--are in fact connected in ways that are not necessarily true of other art forms. Analyzing examples from a variety of genres, this book provides a thorough landmark overview of American comic books that sheds new light on this versatile art form.
Call Number: Circulating Books PN6725 .G3313 2010ISBN: 9781604732672Publication Date: 2010
Philosophy of Comics: an Introduction by
What exactly are comics? Can they be art, literature, or even pornography? How should we understand the characters, stories, and genres that shape them? Thinking about comics raises a bewildering range of questions about representation, narrative, and value. Philosophy of Comics is an introduction to these philosophical questions. In exploring the history and variety of the comics medium, Sam Cowling and Wesley D. Cray chart a path through the emerging field of the philosophy of comics. Drawing from a diverse range of forms and genres and informed by case studies of classic comics such as Watchmen, Tales from the Crypt, and Fun Home, Cowling and Cray explore ethical, aesthetic, and ontological puzzles, including: - What does it take to create-or destroy-a fictional character like Superman? - Can all comics be adapted into films, or are some comics impossible to adapt? - Is there really a genre of "superhero comics"? - When are comics obscene, pornographic, and why does it matter? At a time of rapidly growing interest in graphic storytelling, this is an ideal introduction to the philosophy of comics and some of its most central and puzzling questions.
Call Number: Circulating Books PN6712 .C69 2022ISBN: 9781350098442Publication Date: 2022
The Philosophy of Comics: What They Are, How They Work, and Why They Matter by
How do comics produce such a striking range of vibrant stories, representations, and expressions of the sensibilities of their creators? Henry John Pratt's 'The Philosophy of Comics' provides a ground-breaking, illustrated introduction to the study of comics and graphic novels, advancing the field of comics studies by attending to some of its most notable problems. Pratt examines the history of comics, the contrast between comics and cartoons, the tenuous place of comics in the art world, and what it is to be a comic in the first place. Comics work through extensive modes of representation and expression, including through film, non-graphic literature, and theatre.
Call Number: eBookISBN: 9780190845445Publication Date: 2023
Picturing childhood : youth in transnational comics by
Comics and childhood have had a richly intertwined history for nearly a century. From Richard Outcault's yellow kid, Winsor McCay's Little Nemo, and Harold Gray's Little orphan Annie to Hergé's Tintin (Belgium), José Escobar's Zipi and Zape (Spain), and Wilhelm Busch's Max and Moritz (Germany), iconic child characters have given both kids and adults not only hours of entertainment but also an important vehicle for exploring children's lives and the sometimes challenging realities that surround them. Bringing together comic studies and childhood studies, this pioneering collection of essays provides the first wide-ranging account of how children and childhood, as well as the larger cultural forces behind their representations, have been depicted in comics from the 1930s to the present. The authors address issues such as how comics reflect a spectrum of cultural values concerning children, sometimes even resisting dominant cultural constructions of childhood; how sensitive social issues, such as racial discrimination or the construction and enforcement of gender roles, can be explored in comics through the use of child characters; and the ways in which comics use children as metaphors for other issues or concerns. Specific topics discussed in the book include diversity and inclusiveness in Little Audrey comics of the 1950s and 1960s, the fetishization of adolescent girls in Japanese manga, the use of children to build national unity in Finnish wartime comics, and how the animal/child hybrids in Sweet Tooth act as a metaphor for commodification.
Call Number: Circulating Books Q784.C6 P53 2017ISBN: 9781477311615Publication Date: 2017
The Power of Comics : History, Form and Culture by
Fully revised and updated for its second edition, The Power of Comics remains the most authoritative introduction to comic books and graphic novels - the history of the medium, its many forms and manifestations and their place in contemporary culture.
Call Number: Circulating Books PN6710 .D86 2016ISBN: 9781472535696Publication Date: 2014
Prelude to a million years, Song without words, Vertigo by
From the eve of the Great Depression to the onset of World War II, Lyn Ward, America's first great graphic novelist, bore witness to the roiling, dizzying national scene as both a master printmaker and a socially committed storyteller. His medium of expression, the wordless "novel in woodcuts," was his alone in the United States, and he quickly brought it from bold iconic infancy to a still unrivalled richness of drama, characterization, imagery, and technique.
In this, second of two volumes collecting all his woodcut novels, The Library of America brings together Ward's three later books, two of them in brief, the visual equivalent of chamber music, the other his longest, a symphony in three movements. Prelude to a million years (1933) is a dark meditation on art, inspiration, and the disparity between the ideal and the real. Song without words (1936), a protest against the rise of European fascism, asks if ours is a world still fit for the human soul. Vertigo (1937), Ward's undisputed maserpiece, is an epic novel on the theme of the individual caught in the downward spiral of a sinking American economy. Its characters include a young violinist, her luckless fiancé, and an elderly business magnate who-movingly, and without ever becoming a political caricature-embodies the social forces determining their fate.
Call Number: Circulating Books NE1112.W37 A5 2010ISBN: 9781598530810Publication Date: 2010
Reinventing Comics by
In 1993, Scott McCloud tore down the wall between high and low culture with the acclaimed international hit Understanding comics, a massive comic book that explored the inner workings of the world's most misunderstood art form. Now, McCloud takes comics to the next level, charting twelve different revolutions in how comics are created, read, and perceived today, and how they're poised to conquer the new millennium.
Call Number: Graphic Novels PN6710 .M333 2000ISBN: 9780060953508Publication Date: 2000
The Routledge Companion to Comics by
This cutting-edge handbook brings together an international roster of scholars to examine many facets of comics and graphic novels. Contributor essays provide authoritative, up-to-date overviewsof the major topics and questions within comic studies, offering readers a truly global approach to understanding the field. Essays examine: the history of the temporal, geographical, and formal development of comics, including topics like art comics, manga, comix, and the comics code; issues such as authorship, ethics, adaptation, and translating comics connections between comics and other artistic media (drawing, caricature, film) as well as the linkages between comics and other academic fields like linguistics and philosophy; new perspectives on comics genres, from funny animal comics to war comics to romance comics and beyond. The Routledge Companion to Comics expertly organizes representative work from a range of disciplines, including media and cultural studies, literature, philosophy, and linguistics. More than an introduction to the study of comics, this book will serve as a crucial reference for anyone interested in pursuing research in the area, guiding students, scholars, and comics fans alike.
Call Number: Ebook Central Perpetual, DDA and Subscription TitlesISBN: 9781317915379Publication Date: 2016
A Smithsonian Book of Comic Book Comics by
Reproductions from their first comic-book printings for such characters as Superman, Batman, Scribbly, Plastic Man, Captain Marvel, Little Lulu, Donald Duck, Pogo, and The Spirit.
Call Number: Circulating Books PN6726 .S58 1981ISBN: 0874742285Publication Date: 1982
Stan Lee : the man behind Marvel by
The Amazing Spider-Man. The Incredible Hulk. The Invincible Iron Man. Black Panther. These are just a few of the iconic superheroes to emerge from the mind of Stan Lee. From the mean streets of Depression-era New York City to recipient of the National Medal of Arts, Lee's life has been almost as remarkable as the thrilling adventures he spun for decades. From millions of comic books fans of the 1960s through billions of moviegoers around the globe, Stan Lee has touched more people than almost any person in the history of popular culture. In Stan Lee: The Man behind Marvel, Bob Batchelor offers an eye-opening look at this iconic visionary, a man who created (with talented artists) many of history's most legendary characters. In this energetic and entertaining biography, Batchelor explores how Lee capitalized on natural talent and hard work to become the editor of Marvel Comics as a teenager. After toiling in the industry for decades, Lee threw caution to the wind and went for broke, co-creating the Fantastic Four, Spider-Man, Hulk, Iron Man, the X-Men, the Avengers, and others in a creative flurry that revolutionized comic books for generations of readers. Marvel superheroes became a central part of pop culture, from collecting comics to innovative merchandising, from superhero action figures to the ever-present Spider-Man lunchbox. Batchelor examines many of Lee's most beloved works, including the 1960s comics that transformed Marvel from a second-rate company to a legendary publisher. This book reveals the risks Lee took to bring the characters to life and Lee's tireless efforts to make comic books and superheroes part of mainstream culture for more than fifty years. Stan Lee: The Man behind Marvel not only reveals why Lee developed into such a central figure in American entertainment history, but brings to life the cultural significance of comic books and how the superhero genre reflects ideas central to the American experience.
Call Number: Circulating Books PN6727.L39 Z54 2017ISBN: 9781442277816Publication Date: 2017
Supergods : what masked vigilantes, miraculous mutants, and a sun god from Smallville can teach us about being human by
Superman, Batman, Wonder Woman, Iron Man, and the X-Men -- the list of names as familiar as our own. They are on our movie and television screens, in our videogames and in our dreams. But what are they trying to tell us? For Grant Morrison, one of the most acclaimed writers in the world of comics, these heroes are powerful archetypes who reflect and predict the course of human existence: Through them we tell the story of ourselves.
Call Number: Circulating Books PN6725 .M67 2012ISBN: 9780812981384Publication Date: 2012
Superheroes and philosophy : truth, justice, and the socratic way by
The comic book naratives of superheroes wrestle with profound and disturbing issues in original ways: the definitions of good and evil, the limits of violence as an effective means, the perils of enforcing justice outside the law, the metaphysics of personal identity, and the definition of humanity. Superheroes and Philosophy tackles these and other philosophical questions in an intellectual yet engaging way suitable for any comic book fan.
Call Number: Circulating Books PN6712 .S86 2005ISBN: 9780812695731Publication Date: 2005
The Superhero Reader by
Despite their commercial appeal and cross-media reach, superheroes are only recently starting to attract sustained scholarly attention. This groundbreaking collection brings together essays and book excerpts by major writers on comics and popular culture. While superhero comics are a distinct and sometimes disdained branch of comics creation, they are integral to the development of the North American comic book and the history of the medium. For the past half-century they have also been the one overwhelmingly dominant market genre. The sheer volume of superhero comics that have been published over the years is staggering. Major superhero universes constitute one of the most expansive storytelling canvases ever fashioned. Moreover, characters inhabiting these fictional universes are immensely influential, having achieved iconic recognition around the globe. Their images and adventures have shaped many other media, such as film, videogames, and even prose fiction.The primary aim of this reader is twofold: first, to collect in a single volume a sampling of the most sophisticated commentary on superheroes, and second, to bring into sharper focus the ways in which superheroes connect with larger social, cultural, literary, aesthetic, and historical themes that are of interest to a great many readers both in the academy and beyond.
Call Number: Circulating Books PN6710 .S87 2013ISBN: 9781617038020Publication Date: 2013
Syllabus : Notes from an Accidental Professor by
Offers selected pages from the author's illustrated notebooks kept during a three year period when she was figuring out how to teach a course on keeping creative notebooks.
Call Number: Graphic Novels PN6727.B36 S95 2020ISBN: 9781770461611Publication Date: 2014
Teaching the Graphic Novel by
Graphic novels are now appearing in a great variety of courses: composition, literature, drama, popular culture, travel, art, translation. The thirty-four essays in this volume explore issues that the new art form has posed for teachers at the university level.
Call Number: Circulating Books PN6710 .T38 2009ISBN: 9781603290616Publication Date: 2009-01-01
The Ten-Cent Plague by
In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created--in the pulpy, boldly illustrated pages of comic books. Comics spoke to young people and provided the guardians of mainstream culture with a big target. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress. This book opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority, showing how--years before rock 'n' roll--comics brought on a clash between children and their parents, between prewar and postwar standards.
Call Number: Circulating Books PN6725 .H33 2008ISBN: 9780374187675Publication Date: 2008
Three rocks : the story of Ernie Bushmiller, the man who created Nancy by
From Bill Griffith, creator of Zippy the Pinhead and Nobody's Fool, comes Three Rocks, a biography of cartoonist Ernie Bushmiller, creator of the iconic comic strip Nancy. But this graphic novel is about more than a single comic book artist. It is the story of this American art form, tracing its inception in 1895 with the Yellow Kid, the creation of Nancy in 1933, and all the strips that followed, including Peanuts and The Far Side. When Bushmiller died in 1982, Nancy was running in almost 900 daily newspapers-a number few syndicated cartoonists ever achieve. Nancy is hailed as the "perfect" comic strip by fans and cartoonists alike. The title Three Rocks refers to the trope of three hemispherical rocks often seen in a Bushmiller landscape-just enough to communicate environment to the reader. This distillation is exemplary of the iconic, diagrammatic look of Nancy, a comic strip about the nature of what it means to be a comic strip--the perfect avatar for Griffith to expand upon his philosophy of creating comics.
Call Number: Graphic PN6727.G75 T47 2023ISBN: 9781419745904Publication Date: 2023
Understanding comics : the invisible art by
In comic book format, McCloud explains the various elements of comics style, history, energy, symbols.
Call Number: Graphic Novels PN6710 .M333 1994ISBN: 9780060976255Publication Date: 1994
Unstable masks : whiteness and American superhero comics by
Contextualizes the history of race within comic books and the fundamental whiteness observed in American superhero narratives from the late 1930s to the present.
Call Number: Circulating Books PN6725 .U485 2020ISBN: 9780814214183Publication Date: 2020
Why comics? : from underground to everywhere by
The massive impact that comics have had on our culture becomes more and more clear every day, from the critically acclaimed musical Fun Home, based on Alison Bechdel's groundbreaking comic, to the dozens of superhero films hitting cinemas every year. What is it that makes comics so special? What can this unique art form do that others can't? In Why Comics?, comics scholar Hillary Chute reveals the history of comics, underground comics (or comix), and graphic novels, through deep thematic analysis, and fascinating portraits of the fearless men and women behind them. As Scott McCloud revealed the methods behind comics and the way they worked in his classic Understanding Comics, Chute will reveal the themes that Comics handle best, and how the form is uniquely equipped to explore them. The topics Why Comics? include: Why Disaster: with such major works focusing on disasters, from Art Spiegelman's work, which covers the Holocaust and 9/11 to Keiji Nakazawa's work covering Heroshima, comics find themselves uniquely suited to convey the scale and disorientation of disaster. Why Suburbs: through the work of Chris Ware and Charles Burns, Chute reveals the fascinating ways that Comics illustrate the quiet joys and struggles of suburban existence. Why Punk: With an emphasis on DIY aesthetics and rebelling against what came before, the Punk movement would prove to be a fertile ground for some of the most significant modern cartoonists, creating a truly democratic art form.
Call Number: Circulating Books PN6710 .C48 2017ISBN: 9780062476807Publication Date: 2017
The World Encyclopedia of Cartoons by
Examines the lives and works of the greatest cartoon artists, as well as their contributions to and influences on the genre.
Call Number: Reference Collection - 2nd Floor. Library use only. NC1325 .W67 1980ISBN: 0810301830Publication Date: 1980The World Encyclopedia of Comics by This book should prove an invaluable reference tool for the researcher, and an endless source of entertainment for the general reader. To scholars and laymen alike it proves to be indispensable.
Call Number: Reference Collection - 2nd Floor. Library use only. PN6710 .W6 1983ISBN: 0877543232Publication Date: 1984
