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She lost her left breast, her job, and her guy. She does not know it yet, but this is the best day of her life. An inspiring and surprisingly comedic tale of loss and acceptance told largely through silent sequential narrative.
Autism in women and girls is still not widely understood, and is often misrepresented or even overlooked. This graphic novel offers an engaging and accessible insight into the lives and minds of autistic women, using real-life case studies. The charming illustrations lead readers on a visual journey of how women on the spectrum experience everyday life, from metaphors and masking in social situations, to friendships and relationships and the role of special interests. Fun, sensitive and informative, this is a fantastic resource for anyone who wishes to understand how gender affects autism, and how to create safer supportive and more accessible environments for women on the spectrum.
Dealing with pregnancy, child-rearing, art-making, mental illness, and an MS diagnosis, the parts of Chlorine Gardens' sum sound heavy, but Keiler Roberts' gift is the deft drollness in which she presents life's darker moments. She doesn't whistle past graveyards, but rather finds the punch line in the pitiful.
From Adam and Eve to pussy hats, people have punished, praised, pathologized, and politicized vulvas, vaginas, clitorises, and menstruation. In this graphic nonfiction book, drawn in chunky, punky pen, Swedish cartoonist Liv Strömquist traces how different cultures and traditions have shaped women's health and beyond. Her biting, informed commentary and ponytailed avatar guides the reader from the darkest chapters of history (a clitoridectomy performed on a five-year-old American child as late as 1948) to the lightest (vulvas used as architectural details as a symbol of protection).
Raina wakes up one night with a terrible upset stomach. Her mom has one, too, so it's probably just a bug. Raina eventually returns to school, where she's dealing with the usual highs and lows: friends, not-friends, and classmates who think the school year is just one long gross-out session. It soon becomes clear that Raina's tummy trouble isn't going away... and it coincides with her worries about food, school, and changing friendships. What's going on?
There's a new kind of crisis threatening the heroes of the DC Universe, ripped from real-world headlines by CIA-operative turned comics writer Tom King: How does a superhero handle PTSD? Welcome to Sanctuary, an ultra-secret hospital for superheroes who've been traumatized by crime-fighting and cosmic combat. But something goes inexplicably wrong when many patients wind up dead, with two well-known operators as the prime suspects: Harley Quinn and Booster Gold! It's up to the DC Trinity of Superman, Wonder Woman and Batman to investigate--but can they get the job done in the face of overwhelming opposition? Collects Heroes in Crisis #1-9
In kindergarten, Jarrett Krosoczka's teacher asks him to draw his family, with a mommy and a daddy. But Jarrett's family is much more complicated than that. His mom is an addict, in and out of rehab, and in and out of Jarrett's life. His father is a mystery -- Jarrett doesn't know where to find him, or even what his name is. Jarrett lives with his grandparents -- two very loud, very loving, very opinionated people who had thought they were through with raising children until Jarrett came along. Jarrett goes through his childhood trying to make his non-normal life as normal as possible, finding a way to express himself through drawing even as so little is being said to him about what's going on. Only as a teenager can Jarrett begin to piece together the truth of his family, reckoning with his mother and tracking down his father.
If you work hard enough, if you want it enough, if you're smart and talented and "good enough," you can do anything. Except get pregnant. Her whole life, Lucy Knisley wanted to be a mother. But when it was finally the perfect time, conceiving turned out to be harder than anything she'd ever attempted. Fertility problems were followed by miscarriages, and her eventual successful pregnancy was plagued by health issues, up to a dramatic, near-death experience in labor and delivery. Kid Gloves follows Lucy's personal transition into motherhood, and it also illustrates the history and science of reproductive health from all angles, full of curious facts and inspiring (and notorious) figures in medicine and midwifery.
In her first book of comic strips, Emma reflects on social and feminist issues by means of simple line drawings, dissecting the mental load, i.e. all that invisible and unpaid organising, list-making and planning women do to manage their lives, and the lives of their family members. In her strips Emma deals with themes ranging from maternity leave (it is not a vacation!), domestic violence, the clitoris, the violence of the medical world on women during childbirth, and other feminist issues, and she does so in a straightforward way that is both hilarious and deadly serious. Emma's comics also address the everyday outrages and absurdities of immigrant rights, income equality, and police violence.
Scott Free is the greatest escape artist who ever lived. So great, he escaped Granny Goodness' gruesome orphanage and the dangers of Apokolips to travel across galaxies and set up a new life on Earth with his wife, Big Barda. Using the stage alter ego of Mister Miracle, he has made quite a career for himself showing off his acrobatic escape techniques. He even caught the attention of the Justice League, who has counted him among its ranks. You might say Scott Free has everything--so why isn't it enough? Mister Miracle has mastered every illusion, achieved every stunt, pulled off every trick--except one. He has never escaped death. Is it even possible? Our hero is going to have to kill himself if he wants to find out.
It was the year of Desert Storm that Harvey Pekar and his wife, Joyce Brabner, discovered Harvey had cancer. Pekar, a man who has made a profession out of chronicling the Kafkaesque absurdities of an ordinary life--if any life is ordinary--suddenly found himself incapacitated. But he had a better-than-average chance to beat cancer and he took it--kicking, screaming and complaining all the way. The Pekar/Brabner coalition draws upon this and other trials to paint a portait of a man beset with fears real and imagined--who survives.
First pregnancy can be a fraught, uncomfortable experience for any woman, but for resolutely butch lesbian Teek Thomasson, it is exceptionally challenging: Teek identifies as a masculine woman in a world bent on associating pregnancy with a cult of uber-femininity. Teek wonders, "Can butches even get pregnant?" Of course, as she and her pragmatic femme girlfriend Vee discover, they can. But what happens when they do? Written and illustrated by A.K. Summers, and based on her own pregnancy, Pregnant Butch strives to depict this increasingly common, but still underrepresented experience of queer pregnancy with humor and complexity--from the question of whether suspenders count as legitimate maternity wear to the strains created by different views of pregnancy within a couple and finally to a culturally critical and compassionate interrogation of gender in pregnancy. Offering smart, ambitious art, this graphic memoir is a must-read for would-be pregnant butches and anyone interested in the intersection of birth and gender, as well as a perfect queer baby shower gift and conversation starter for those who always assumed they "got" being pregnant.
Raina just wants to be a normal sixth grader. But one night after girl scouts she trips and falls, severely injuring her two front teeth. What follows is a long and frustrating journey with the on-again, off-again braces, surgery, embarrassing headgear, and even a retainer with fake teeth attached. And on top of all that, there's still more to deal with: a major earthquake, boy confusion, and friends that turn out to be not so friendly. Raina's story takes us from middle school to high school, where she discovers her artistic voice, finds out what true friendship really means and where she can finally ... smile.
To new mother Sachiko Azuma, her baby boy is the light of her life. Accordingly, she names him Hikaru, Japanese of 'to be bright.' Eager to raise her son, Sachiko gradually begins to notice that Hikaru seems a bit different from other children. He is reluctant to be held or hugged, and his growth and development appear slow. Sachiko's suspicions are confirmed when it is suggested that Hikaru, at a year-and-a-half, may be deaf. A specialist, however, reaches a different diagnosis: autism.
Sachiko and Masato Azuma have overcome numerous obstacles in dealing with their firstborn son Hikaru's autism. Having saved their marriage from ending in ruins, the young couple has welcomed a healthy baby girl, Kanon, into their tight-knit family. But with the obvious differences between Hikaru's and Kanon's developmental abilities, it becomes apparent that social prejudices against Hikaru's disability are never far away.